Manhorcan or ‘Into Restless Light’ is a work by the poet Seranoga. The text seems to speak of a kind of double world and a connecting point between them. The word Manhorcan seems to be of his own invention and from its use elsewhere we can be fairly sure it refers to a triangular like formation that occurs naturally in the branches of trees. The text also intimates something of the passing of beings between these worlds and suggests three ways in which this occurs. One is being conjured ‘recitations’, two is that beings may pass through without being summoned ‘you do not always need a key, and thia same rule applies to me’ and three is suggested as a combination of dreams and fear. The spinning shapes referred to at the end have never been successfully deciphered.

A hidden gate between the trees,
A soaring spire that rests at ease,
Behind the circle stands a man,
Who crosses where he first began…

You’d want to see the motion,
You’d want to be the notion,
A slope that hinted downwards,
But lines that stated roundness,

Look at surroundings all are green,
But nothing is quite what it seems,
For here duality strikes twice,
With all the errors of that might,

Into restless light,
That seemed to shimmer with the night,
As cones exist in double lives,
To enter all those within strive,

Com Manhorcan, Rai Manhorcan,
Com Manhorcan, Rai Manhorcan,

Ah Recitations, the cause of visitations,
A spiral drawn between the lines,
No god could ever hope to find,
You do not always need a key,
And this same rule applies to me,

Siamese twin of this world,
And liquid night,
Into restless light…

A hidden gate between the trees,
A soaring spire that rests at ease,
Behind the circle stands a man,
Who crosses where he first began,
And at its end of spinning round,
Revealing more beneath the ground,
The opposite, the self invert,
The hidden land within the earth,

Com Manhorcan, Rai Manhorcan,
Com Manhorcan, Rai Manhorcan,

I crossed in dreamed ascension,
Released by intervention,

Look at surroundings I am here,
Existence constant feeding fear,

Gaps in nothing,
Spinning shapes appear…

The vector field is a transcendental plane or rather series of planes that act as an intermediary between the accretions and the umbratic. The vector field can be thought of as unaccreted pneuma. The physical vector field is that experience that phenomenologists often try to perceive as part of their systems: the Husserlian hyle, the pure sensation block that becomes differentiated into different things or as we will say with regard to the vector field, regions. It is that field[s] of existence that can be dimly be seen when try to pretend we don’t know that everything ‘is’ all the different things we see before us.

The most extreme visual vector field is the physical world as pure undifferentiated sensation, however the vector field has not entirely gone in effect on less abstract levels. True the spatio-temporal existence itself can be viewed as vector-field regions, however even when these are established, the effect is still present. When we enter a room and many of the devices in that room are unknown to us, these are now vector regions. They may have a broad scope accretion like ‘machines’ attached to them, but we may have no understanding of where one machine stops and where another ends. They exist in an unintelligible (incoherent) mass. Then the technician comes in and explains the machines, she gives me the names for the different regions and tells me what each one does. The concept (accretion) sticks to the vector. We say in this regard ‘this vector region was capable of taking this concept’ and mean that the word is appropriate to the thing.

The meaning of vector then is like that of a vector which carries a parasite, virus, bacterium. Vectors carry accretions and in the regular language of everyday life this is how language functions. Different regions of the vector field play host to different accretions. Many vector regions are capable of housing more than one accretion. A saucer is easily an ashtray. The vector region that takes the accretion ‘saucer’ easily also takes ‘ashtray’. Sometimes the vector region that takes the accretion ‘log’ can take the accretion ‘seat’. Found objects of unknown original usage still have their original accretion attached but it may then be covered over by a new accretion. The grammar of ‘really’ means ‘original’ but if the new accretion can be taken by the vector then it is just as equally this thing. This is all it means for something to be something.

Equally a different appearing object may house the same accretion. I might show someone an old device and ‘say this is a phone’ (this vector can house the phone accretion). They do not understand how this is true but then I show them that this is the case. They were trapped by the modern appearance of ‘phone’. Likewise the person from the past would not be able to respond to ‘pass me my phone please’ from an array of objects on the table. The black oblong lying next to my keys is a vector that they do not know is capable of taking the accretion ‘phone’. This highlights a feature of accretions in relation to vectors. In a given historical/cultural setting a given accretion is often attached to a vector region or range of similar vector regions that generate false essences. False essences are appearances that pretend to be what the object ‘really’ looks like. These contingent archetypes are often the way the accretion looks when one summons it to mind. Ideal forms like these are related to ‘incoherent coherence’, the apparent sense of definition which always masks the multiplicity of ways in which a thing might appear on three axes: the past, the future and the other (a different culture which might feature the same use-thing in a different form).

False essences as accretive images are the molar aspect of accretions as they struggle to maintain stasis against becoming. Furthermore as accretions exert a magickal effect upon the umbratic powers beneath the vector field, the act of trying to keep something in a particular form will have some effect. This is similar to the way in which false essences are related to the phenomenon of the double. The double is the way in which the accretion once attached to a vector, through the archetypal image (false essence) attempts to make the the vector more like the accretion than the original vector was. This is a process that necessarily goes on all the time.

Of course the vector field is not a purely visual/physical field. For this reason we can speak of the vector field having different planes that intersect, visual and physical being two such -as accretions might be visible without being physical and vice versa. The wind is a invisible region that is physical for example. Audible and olfactory can also be said to have their own planes. Some accretions cut across different planes, some exist on purely one. The planes themselves are of course also vector regions with accretions attached. The olfactory is an accretion that may be applied only to certain kinds of phenomena. However these vast accretions form planes by which a kind of heuristic may be employed. Smells can be learned. There are a myriad of smells in the world that we have often no knowledge of but could be understood. The undifferentiated or ill understood olfactory plane can have accretions applied to its regions. In sounds think of bird song, a twittering mass can be differentiated into individual refrains ‘does that sound take the accretion wood pigeon? No it is a collared dove’. The experiential world is filled with noises. The garbled noise of this plane too can receive greater accretive infestation. Vector regions can be analysed out and have accretions attached accordingly.

There is also the emotional plane. We have named the regions of the emotions. They can be named because the recur. There are rules for feeling and recognition. The regions are a fluctuating mass and their peaks and troughs are the accretions ‘happiness’ ‘anger’ ‘sadness’ etc. False essences occur here too, archetypal dominance is powerful and stasis of these natures encouraged. Small eddies of the emotional plane receive no accretion for their grammar is hard to capture. Sometimes we meet others who know these eddies and we name them together.

Possibly the most curious plane of the vector field is that of rationality. Does thought have a vector field plane? Of course ‘thought’ must have, for it is an accretion, it has a grammar. But the universal similarity of thought as accretion is even less reliable than the contents of the emotional plane, where at least physical displays are common as part of the attribution of the accretion to those regions (happy face, sad face). The action ‘I was thinking’ might be unspeakably different between different beings. But still there are operations of thought, logic for instance. Modus ponens as a concept, as an accretion is just one concatenation of thought that we do all the time. Incoherence does not destroy logic, it merely renders incoherent  the concepts that fill in the Ps and Qs. There is an action we can make that either fulfils the criteria to be called modus ponens or not, hence some kind of vector region exist for it. All logical sequences can have this said of them. What about maths? What is ‘plus’? A rule, an accretion that fits a vector of a certain action. As we explore this area it feels as if there is a suggestion that these mental actions are echoes of the physical plane. They are unbound accretions whose home is solidity.

What is language itself? A word is an accretion attached to a vector. There are the noises we hear between us by which we communicate. Every single word is an accretion attached to a vector. Every letter is an accretion attached to a vector. Scribbles, lines on a page. This symbol says ‘A’. See the symbol as vector region. It is nothing but lines, it plays host to ‘A’.

Everywhere a vector region, everywhere a host, everywhere an accretion.

 

In accretive theory the double is the accretion, this means the double is what we actually engage with. The original to awareness is the vector field. The vector field is the pure undifferentiated hyle. The vector field is pneuminous but not accreted. Humans learn what different regions of the vector field are called e.g. mum, cat, wheelbarrow, tree. In doing so they continually attach the accretion of the vector back on to it. The vector is highlighted by the induction into the rules for the application of an accretion and when grasped the vector is doubled by the accretion. The vector must have the ability to appear as the concept (accretion) grasps it, it must in some sense be the same (though the vector contains much more potential than the accretion displays). Hence the accretion doubles the vector but appears as the origin. The double then seeks to bend the vector to its likeness.

This is the natural action of magick that takes place all the time. It is the correlate of the way in which intentional magick seeks to alter vector regions such that they will conform to the will of the operator by the application of an accretion to the vector region that would not normally house it. The double is just the application of an accretion to a situation that would normally take it. The double or accretion which is a kind of ideality of the vector region, in attaching to the vector region alters it in an imperceptible way, making it more like the ideality. The double minutely bends the vector to its likeness, making a perfect fusion. Things actually become the things we think they are by virtue of the double.

This also applies to Narps (people) though here the situation is more complicated. Judgements about others applies accretions to them. When we meet someone we double them and then apply the double onto their vector region to try to make them conform to our doubling. But other Narps are not apples or cigars, other Narps have ideas about who they are. They may perceive the double that we seek to apply to them and resist it by displaying other accretions, by trying to alter the double that we seek to apply to them. They may be successful or they may not. A Narp who cannot control the doubles that is applied to her will become subject to the power of the double that is applied to her.

 

 

 

  1. Manifestationism
  2. Incoherence
  3. Phantasy
  4. Pneuma
  5. Accretive theory itself
  6. Design a god.
  7. Significance/Insignificance
  8. Designation
  9. Vector theory
  10. The Umbratic
  11. The Double
  12. The zone
  13. The numbers/the system
  14. NARP