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N’ Solace House (part 2) -Jim Meirose

That membrane was tough so you can come in. We know crossing any next threshold’s a big step for your kind but just do it. No—yes just no yes just come on you’re pissing me down just come do it the flow here; the flow here; come in here ‘fore this deck’s gone dealing out the players aren’t here yet why the hell’d you deal the deck out?

Huh I.

Why the hell’d deal you the deal deck the deck when you know—it’s in that document there—the players come first. Then, when here, they choose the game. Then, rip the cello’ off the Dan deck and—do the deal but frickt’y—back off shuffle the deck first. New decks the order of the cards in new decks is not shuffled. Twenty-six shuffled into one deck of. Crap I am gone this membrane’s too tough. Are you sure this is not two fat membranes stuck together? Never so tough as this it has never ever been so tough tough as this.

Halluzza!

We don’t know your name yet you’re a new hire, so.

Knowing the name of it when deciding to buy it slants things completely off. Three, maybe four. Go in the store, like. May even be five. Our great founder said to us that it is not fair to have decided what to buy before entering the store as that removed equal opportunity from each-every store content. Fairness. Contents are preached over with fairness but everybody outside there’s allowed to have their mind made up what content to select to purchase for their home. Not fair. Not fair to the others as as as we hire a Danny—that’s unfair to Donnies. Hire a Chrystal—most unfair to; uh; uh oh; life injects here; n’; here and ‘ow, no, crap. Here and now. Hire a Chrystal a Danny unfair. All hires unfair. When predecided. Zap.

Take the unexpected phone call. The dip!

Give ’em hell on the telephone, then back.

Bunk.

Go. Describe the malady you expect Sow’s-lace house to ease down. Go deal with the call all smile smile and calm’n nice ‘ic’ ‘’ come back ‘lready and bet you ah bet you you—now stand in the store for no reason in particular so ‘vrything’s an even chance? Eh eh eh? No cause to be in a store you can’t no just can’t ‘thought thinking of something to buy wok wok and be we bet that you can’t just not keep from thinking when told you must buy, okay okay eh heh what do I need I’ll buy what I need but.

Why must buys ever be what you need?

Here they are all around all here for the buying how can you choose fair when gas-shot you back-scanning back home for back home to tell you what to do to take down and go pay for ‘timatically w’ o’t looking each over so each over’s probability of being bought equally chanced as as get in the car predecided where to go’s not fair to all the possible places for to go or or even why go anyplace if not to get there why start the trip having predecided where to go what to spend what to buy see or do, it’s not fair, you see.

No not fair!

Unfair!

Where to go what to spend what to buy see or do; when pre entre-vous pre-decided con carne entre-pre vous-decided to do this that or t’others you are not fair so, how?

How can you be a worker at Solicze house how to be a worker how’s that fair to me?

Fine okay yes all so true but. Come in the door we’ll sit down first things first.

Whoo?

In the door we’ll sit down first things.

The door we’ll sit down first.

We know crossing any next threshold’s a big step for your kind but just do it.

Door we’ll sit down.

We’ll sit—here there very good ack. We.

Let us do these small items a’fore decisioning what to breathe; but; let us do these small items a’fore decisioning how to breathe; but why; let us do these small items a’fore decisioning when to breathe; but why must; let us do these small items a’fore decisioning why to breathe; but why must we; let us do these small items a’fore decisioning how fast to breathe; but why must we do; let us do these small items a’fore decisioning how much to breathe; but why must we do something; let us do these small items a’fore decisioning how little to breathe; but why must we do something like this; let us do these small items a’fore decisioning how not to breathe; but why must we do something like this; let us do these small items a’fore decisioning never to breathe; but why must we do something like this first? I thought this was So-laced’p’ house.

Why the hell must we do something like this first?

But sir—

Never mind more this cannot be Sulace house!

Sir. Nom really—

Do not lie to me. Where’s the real Shoe-lace house?

Where’s the Zolace house?

Where’s house?

Someone come! Here! He’s—

Here’s hous.

Hurry up he is going—

Re’s ho.

Hurry up never mind that now look see he’s—

E’s H.

Here—he’s just about—

’s.

Never mind that he’s gone.

Never mind that he’s gone.

And it’s all your fault.

Your fault.

Yes it’s your fault.

I hope you are happy.

We know crossing any next threshold’s a big step for your kind but just do it.

Life is not no Szollace house ‘fter ‘ll.

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How do you make a hyperqabalah? This is the question essentially posed by the end of here. Given that the previous CEO qabalah has been constructed by a circuit of numbers as derived by a pattern found using triangles and cross addition (see the same link) what we now need to do is to generate a new circuit and form a structure around it. The circuit will be generated in the same way as the previous except this time the base is different. This time we are dealing with base 23.

As such we must set up our numbers so that all calculations can be shown with clarity. Now because the hyperqabalah involves translating the paths of the previous CEO qabalah into nodes, we will use the letters attributed to these paths as the integers of base 23.

Thus they are (with their base 10 equivalences):
a=1
b=2
d=3
e=4
f=5
g=6
h=7
i=8
j=9
k=10
l=11
m=12
n=13
o=14
p=15
r=16
s=17
t=18
u=19
v=20
w=21
z=22

0 will be used for 0

This established we can perform the same operation that we did on base 10 to see if there is a circuit of numbers we can disclose. From here on we just need to work through the simple math in base 23.

i) A triangle a units high and a deep is not a triangle.
ii) A triangle b units high will have a base of d.
iii) Because we have a base of d, we convert this to the row height. Hence a triangle of c high will have a base of f units.
iv) A triangle of f units high will have a base of j.
v) A triangle of j units high will have a base of s.
vi) A triangle of s units high will have a base of ak. (ak)+=l
vii) A triangle of l units high will have a base of of w.
viii)A triangle of w units high will have a base of at. (at)+=u.
ix) A triangle of u units high will have a base of ao. (ao)+=p
x) A triangle of p units high will have a base of ag. (ag)+=h
xi) A triangle with h units high will have a base of n.
xii) A triangle with n units high will have a base ab (ab)=d

Since d is already in the list we know we have reached the circuit which is:

d-f-j-s-l-w-u-p-h-n-d

If we transcribe it onto a circle it looks like this.

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Prepared Statement: come up.

Sol’ce house’s inside.

They help people here.

Being this ‘s so, Harvest LaDaveysunne up’d onto the house framehoused porchdeck, and multiply fisted the very actual Solice house’s newly laid front door. ‘sisting to get inside, they repeated. And yet again. Help people. The very actual booster Da’Pennisoon. To be rid of these languages. This language. This soon. In this now, or sooner. Help people there. Rocks, the door ‘last fell ‘way back to the rightside. People there; there’s a boil there. Questioning?

This out is the to purpose flow of out out the the purpose purpose of all of this all this.

They help people there. Herp. Help-herp. Herp-help people, there.

What?

Okay ‘o te’ me, why you c’me here, why’ you pick here to be?

This this out all is this the of to all purpose of flow purpose of purpose out the out the the out the out purpose of purpose flow of purpose all to of the this is all out this and of this.

Hara-rrumbbo!

Okay. You. Help people. Herp. ‘o there. You hey. There’s a boil there on your cheek. Herp herp. There. Big one large one people there they help people there. ‘o there ‘n’ o’ there. Vastly sure they do. Come inside. There. Help people. A boil. We got a deck to deal you. There. Have we! Vastly they do they. Inside. Do help people there. Too ‘one’y, But ‘o.

Entre Vous. My biggest is I can’t good or bad objectify neither. Oof.

Here’s Solesse House. Once th’ inner Wallace’s, we have tractortones, boosted frillies, established Solaice and flowing house, to serve exactly backdown file the s’, as such as you. Solesse House Here’s. Have that seat there. Your boil? Sol’ce House. To remove boil? Yes.

In Sollace House?

Christo!

Gensudriate. They wait there to help people?

They wait there. Yo’ ‘ellecome. To help people, there people help to, help people there.

They ‘o?

Ye they do. Okay.

Proudly. So, what the reason’s to comes half-provide up you?

Lawrence? Or non-Lawrence? That’s a sift.

Whichevers such boiling as those you curranted halfwise there way-houses where, they wait there to help people.

To help people there? For re-entry? They wait there?

What? Wo.

No, main man, that’s the furthest—b’. Get it out there in my pack it’s. Go. Describe the malady you expect Solace house to ease down. In my pack there.

It’s?

Poole’s not mayor anymore. Why there?

Furthest out there? Editrationers.

Yah furthest out there—pack those editrationers.

Those right there?

Right there. Con Carne.

In wild hilarity—done.

Wildly snapper; stage direction.

Half-provide they, reentry houses. Rip-tootin’ Hueys.

Good slogan.

Thank you. So—turnkey live your collage.

Okay. So, they brillo. And brillo. But none’s sent packing.

This time you mean?

No. All times out there.

Wha’—ut—

What I mean, what? Ut? All times out from there. Why? This should be plain. Ut. Listen-thick; the flight deck should handle whatever heavies may be devised out there—out there where he’s pointing.

Okay.

And the hulls be mounted steeply. This I gagged when that got insisted upon.

Who-o?

So, yes I am here. This. Want those boils removed? This is. That may come here be why you have seeking come seeking this here out seeking this out and this out. This is to flow. Here. This is to flow out. The largest. This is to flow out the. Con. Turn that largest here. This is to flow out the purpose. Carne. This alley here. This is to flow out the purpose of. This one. This is to flow out the purpose of all. This one ‘t’s got the bright inside. This is to flow out the purpose of all of. Piano. This is to flow out the purpose of all of this. Con Carne. That con carne. This is to flow out the purpose of all of this all this. Piano. That plate there. This. That con carne plate there. This all. That con carne plate. This all this. There. This all this of. That con. This all this of all. That carne. This all this of all of. Piano. That con carne plate here. This all this of all of. This con carne plate. Piano pian. This all this of all of purpose. This one there. That all this of all

of purpose the. Go. Describe the malady you expect Solisse house to ease down. Iano piano. To be rid of those languages. Make it snappy. This all this of all of purpose the out. Those languages. This all this of all of purpose the out flow. This soon. This all this of all of purpose the out flow to. In those nows, or sooner. This all this of all of purpose the out flow to is. Which boil? This all this of all of purpose the out flow to is that. That boil. Boil. That boil. They hear it now. They hear it the rip. The nit and the pic of it. Pain-nanno, did they hear the rip. They heard they they hear rip o’ the rip: wow that membrane was tough but we got it the flow—prude box. Did you bring the prude box MacDaniel?

MacDaniel!!

Did you bring the prude box the container McFlow or MacDaniel we don’t know your name yet you’re a new hire, so.

Come in. Come in.

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The files linked to here are scans of some papers found in the bottom of a drawer in the dusty special collections unit just today (06/01/21). I have no idea how old they are though clearly typewritten (possibly daisywheel). They seem to be two versions of the same event written in a kind of Blackwood/Machen esque style (though not as profficient). The most intriguing thing about the papers is that I recently (only two days ago) read a Scottish folk tale about a faerie named Whuppity Stoorie. In the tale it described her as an old woman all dressed in green. This document describes a very similar figure. The synchronicity made the tale seem more significant.

You can read the first of these mystery oddities here and the second one here.

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Appearing in ‘Songs of the River’ ‘The Fall’ is another classic wander through some of Seranoga’s favourite territory: water and time. The religious hints can hardly be missed, not least in the title (which also has a watery allusion). More intriguing is the mention of the corvid stone which has sometimes been interpreted as the Bible (owing to the last verse), however other scholars identify it with certain very old obscure texts from South America that Seranoga was known to have been interested in. The connection in the second verse between ravine and raven seems clear; it seems this must link somehow to the stone of the penultimate verse.

The Fall

The candid hope of lofty spires,
This path winds oddly steep,
But a glamour soon has held me,
Am I so long asleep?

The bouldered ways are stirring,
With mist and ‘tween time shade,
The ravine is long cawing,
Was I so long ago made?

The river flows in florid spirals,
The ne’re return so long,
The horse wind speaks in whispers,
How lingers still this song?

I find that there’s clipped and loathsome hints,
Of something I once knew,
I sought for a stone that hid beneath boughs,
Of bold and corvid hue,

And on this tablet long described,
How clambering from the pit,
Is the blessing and the curse entwined,
For which ‘mankind is fit.