8      Precious, little rock

Before Alan dies I take the knife and head home

As the clouds fall over the rocks I hope the devil

will rest—so small an ask for the next part

He sleeps with everyone in the house—it is very

popular—but then Blackbeard fuels every brave blade

by shooting up the insomniacs with his madness

In Turkey the wells tremble in the north and 

the water rises heating up wringing hands

from which the Lord removes shameful gloves

The water covers that northern house now

the winged old music and the ignorant Yeti

leave—for this is the day of their demise

(Geoffrey Mark Matthews 21 May 2022)

9      Corpus Callosum,

A quartet of days live beyond the firmament,

For each one a wolf howls in a certain harmony,

Whilst an expert in festivities provides sleep for the occasion,

In autumn I learned that leaping has a certain power,

In winter I shrank from that dreadful baying,

In spring I met a maiden called Beth,

Yet by summer her shade grew so long it left me,

All wolves know to fear the marksman,

All marksmen know to fear the bullroarer,

That ally of all beasts who makes the earth convulse,

A proud God with four hands caught in eternal gesture,

His agent, the polestar guides the way of all things,

Four score times I listened for these days,

Four more times I slept in all ways.

The next mutated couplet in the sequence:

7        Mountain High

Upon rising from a bed of moss (to a dusty spire)

I entreated them to take of Christ’s body

And through this sarcophagy a remote contact was established

Five pine trees like steeples

Drank the blood red wine

And lumbered softly on

I took a stone lathe and forged a great tower,

I paid no more heed to whispering messiahs,

Nor the voice of the grove

The wind blew through the velvet canvas.

And from out it spake the echoey words

“Small coins melt upon demand (or request).”

(Graham  16 May 2022)

8      Precious, little rock

Before Alan dies I take the knife and head home

As the clouds fall over the rocks I hope the devil

will rest—so small an ask for the next part

He sleeps with everyone in the house—it is very

popular—but then Blackbeard fuels every brave blade

by shooting up the insomniacs with his madness

In Turkey the wells tremble in the north and 

the water rises heating up wringing hands

from which the Lord removes shameful gloves

The water covers that northern house now

the winged old music and the ignorant Yeti

leave—for this is the day of their demise

(Geoffrey Mark Matthews 21 May 2022)

The next two poems in the Mutations sequence.

6        City twins

There are no steps from crossing to pavilion

from pavilion to massacre

and no distinction from cyber-attack and murder

Three people

we walk from tall tree

to other tall trees

My servants (our slaves) see great altars

and make great sacrifices of their bodies

naked in the darkness

If you are content don’t underestimate the language

and don’t go into the desert where the tone of voice

constantly changes and challenges your abilities

(Geoffrey Mark Matthews 9 May 2022)

7        Mountain High

Upon rising from a bed of moss (to a dusty spire)

I entreated them to take of Christ’s body

And through this sarcophagy a remote contact was established

Five pine trees like steeples

Drank the blood red wine

And lumbered softly on

I took a stone lathe and forged a great tower,

I paid no more heed to whispering messiahs,

Nor the voice of the grove

The wind blew through the velvet canvas.

And from out it spake the echoey words

“Small coins melt upon demand (or request).”

The next two poems in the Mutations series, in which I and Geoff Matthews take turns at mutating each others’ poems in a continuous sequence.

5      Taunt

There are miles of serene rotating shadows,

with crumbling mansions for beleaguered lords,

whose mausoleums house dry sprites of bone

When once I sought these receding dwellings,

setting aside the voices of others who warned:

‘Perils beset whomsoever attempts these withered lithic lands’

The servants of their carapaced masters issued forth

Splitting light into a myriad rays,

That swarmed as vile rubies against my approach,

Regret is a bitter pill of long-.

lost ways

A fixated end, slow and methodical was mine,

The breeze blew and I wept for a stony age.

(Graham  27 April 2022)

6        City twins

There are no steps from crossing to pavilion

from pavilion to massacre

and no distinction from cyber-attack and murder

Three people

we walk from tall tree

to other tall trees

My servants (our slaves) see great altars

and make great sacrifices of their bodies

naked in the darkness

If you are content don’t underestimate the language

and don’t go into the desert where the tone of voice

constantly changes and challenges your abilities

(Geoffrey Mark Matthews 9 May 2022)

The previous one and its mutation in the Mutations poetry series:

4      Innate savants’ great valley

The calm smile of an umbrella stand is transient

and elephants returning home to dark energy

bury their words in a rich port of failure

Scent discovered effortlessly disappears quickly

ignored at first this content reduces concern

for capital delays in hard pronunciation

Apprentice beetles bowing to want dive into

the prison master’s sick pink features and

as a group rub their free hands in oil

Death has become unclear in limited speculations

all fixed by several old torture treatments that

freeze crematorium victims’ ashes forever

(Geoffrey Mark Matthews 16 April 2022)

5      Taunt

There are miles of serene rotating shadows,

with crumbling mansions for beleaguered lords,

whose mausoleums house dry sprites of bone

When once I sought these receding dwellings,

setting aside the voices of others who warned:

‘Perils beset whomsoever attempts these withered lithic lands’

The servants of their carapaced masters issued forth

Splitting light into a myriad rays,

That swarmed as vile rubies against my approach,

Regret is a bitter pill of long-.

lost ways

A fixated end, slow and methodical was mine,

The breeze blew and I wept for a stony age.