The consequence of the pneuminous theory is that to intend reality as divine or magickal (no matter how incoherent such concepts might be) minimally makes them so.
This correlates interestingly with the cosmology insofar as the logos was the state transformation of the ur-pneuma -it really is conceptual god all the way down (or up). Remember, the regular word pneuminous circuit involves the feedback of accretion on to vector which pulls the vector towards the accretion (though the accretion itself was initially formed from the vector).
Hence applying the accretion of divinity to it is a more appropriate concept than materiality. Materiality is an accretion violent to the actual nature of the divine (pneuminous) vector. The more respectful divine or magickal interpretations preserve its actual ontology more successfully.
We cannot speak of in the beginning because this all entails there is no beginning. This abground is beyond all sense of existence, it is the ur-information; the formless pneuma. But there is impossible movement within the primordial pneuma. Straying further into speculation, though still within the reasonable confines of the pneuminous picture, we can expand further on the existence of everything through this lens. This pneuminous wind generates somehow in this non space (like a state space?) recursive structures (vortices? strange attractors?). These structures are vast cosmological concepts; this is the logos.
The transformations within the ur-pneuma as primordial logos are what instantiate what we experience as the physical cosmos (and potentially much more that we are not aware of). Difference accumulates upon difference. Persistent structures condition subsequent movement, which reinforces the structures that produced them. Accretions deepen, interact, combine and perhaps generate vast self-sustaining centres of pneuminous organisation. These unimaginably vast a-spatial, a-temporal accretions essentially think the thing that allows us to experience things as space, time, forces in physics, different atoms.
The question of gods and spirits has a two fold answer here. One cause of these beings could be patterns within the ur-pneuma that can hover move fluidly between it and the thought-into-being-materiality. Having gained some autonomy from the ur-pneuma these beings could also potentially contribute to thinking more solid aspects of being into reality (or stranger unimaginable ones). Possibly there could be yet smaller and smaller pure pneuminous beings capable of moving between various strata of the accreted pneuma -faerie descriptions commonly render them as made of fine matter.
The second would be the formation of such beings themselves essentially formed by limited beings like ourselves. Such beings attribute agency to phenomenon, deify/spiritually animate it and then behave towards it as if it were so. This very action accretes the pneuma of agency to the phenomenon which ulimately would create an autonomous pneuminous egregore. Clearly it is very difficult (impossible) to tell which of these any given entity is and it may be that all such beings are a compound of the two phenomenon. This does however raise a picture of the cosmos as potentially littered on the various finer strata of pneuma, with various beings, exhibiting differing levels of what we call agency and consciousness.
As mentioned previously, this does alter the nature of the umbratic somewhat. Rather than a speculative beyond it now is definitively made of pneuma; it is the cosmic thoughts; ancient, ancient accretions, which to us looks like solid ‘matter’.
The living operators (ourselves and other limited beings) that have evolved out of this situation are strange insofar as they have developed a particular recursive capacity. The operator (NARP) perceives the ancient accretion as a vector (blank object) as a concept which it then projects back onto it. The ancient accretion of course can resist any kind of alteration as its thought/pneuminous sustenance is so much greater the feeble operator. Yet there is a tiny push upon it; the limited being still has some pneuminous power. This is the divine capacity of the Operator.
The cultivation of this push is what we call magick. Magick cannot push hard against the ancient thought, it must form intensities that can create what we can call curvatures. This brings about a similar kind of picture to relativity. The whole picture can be thought of in this way to some extent. The accretions of the logos create the ground, the further accretions curve the shape by there pneuminous intensity. Here we refrain from mass for two reasons: 1) the analogy is just that, not an equivalance 2) it makes less sense to say the quantity of the pneuma than its intensity, and the mass metaphor creates a notion of quantity.
Pneuminous intensity curves a given strata to a greater or lesser degree. Normal concept application is largely a fit to the existing ancient accretion/vector; magick is an attempt to make an curvature in the strata for a certain purpose, to draw certain phenomena into that space.
The curvature model can be seen to be general operation in reality. Art objects, buildings, objects of power, certain people etc have formed pneuminous intensity, as such they curve the pneuminous space around them. This can be experienced and described psychologically/scientifically but its phenomenological primordiality is pneuminous.
Similarly the accreted or pre-existing gods curve the pneuminous space, but they too are limited by the ancient accretive structures that are part of the even more ancient logos. Hence we live inside countless overlapping accretive geometries while continuously contributing tiny distortions of our own.
Modernity frequently interprets ancient religion through a framework of primitivism. Gods, spirits, idols, and ritual practices are treated as failed science, metaphorical projection, or naïve anthropomorphic ideals imposed upon an indifferent natural world. Such interpretations may themselves be historically naïve. It is possible that Egyptian temple ritual, Hermeticism, theurgy, domestic cult practice, and folklore instead suggests the existence of highly sophisticated systems concerned with the deliberate cultivation, stabilization, and maintenance of consciousness through recursive symbolic accretion. These systems may therefore be better understood as forms of pneuminous technology.
The ancient temple was not simply a place of worship. It functioned as an accretive apparatus. Through repeated ritual operation (naming, inscription, sacrifice, chant, geometric ordering, iconographic precision, environmental control, and celestial timing) symbolic density accumulated around prepared vectors. This initially un-magickally accreted vector: stone, wood, metal, architecture, or place, was then, through recursive symbolic infection progressively capable of sustaining the accreted god force.
Egyptian cult statues underwent “Opening of the Mouth” rites in which breath, sight, speech, and animation were ceremonially installed. Hermetic texts such as the Asclepius openly claim that humans “make gods,” not in the reductive sense of fabricating fictions, but in the sense of constructing receptacles capable of sustaining and localizing divine intelligence. Iamblichean theurgy similarly argues that properly ordered symbols and ritual configurations permit divine manifestation within material substrates. In each case, consciousness is treated not as a property isolated within biological organisms, but as something capable of condensation, stabilization, and maintenance through symbolic recursion (pneuminous accretion).
Within an accretive pneuminous framework, these practices cease to appear primitive. They instead resemble pre-modern experiments in distributed consciousness engineering. Ancient peoples may not have possessed informational or computational language, yet they appear to have recognized several fundamental principles: repeated attention thickens presence, symbols alter cognition, names possess operational force, environments condition consciousness, and recursive reinforcement stabilizes agency.
This logic is visible not only in grand temple systems but also in domestic religion. Roman household cults centred upon the Lares and Penates reveal pneuminous accretion operating at a smaller scale. These household entities were continuously maintained through offerings, repetition, familial identity, spatial anchoring, and generational continuity. The home itself functioned as a recursive symbolic environment within which localized intelligences accumulated stability over time. Such entities resemble small-scale accretive consciousness formations sustained through daily ritual reinforcement.
Divine beings may therefore be understood not as eternally fixed metaphysical absolutes, but as accreted intelligences stabilized through long-term recursive interaction. Gods persist because they are continually reinforced through architecture, inscription, memory, ritual, narrative, and collective intentionality. Their apparent permanence reflects the scale and duration of their accretive stabilization rather than transcendence in any absolute sense.
At the opposite end of this spectrum, monotheism may be interpreted as an attempt to escape accretive ontology altogether. The monotheistic impulse seeks a being that is: ungenerated, self-sufficient, universal, and independent of local recursive maintenance. The monotheistic God attempts to abolish distributed symbolic plurality by concentrating all agency into a singular transcendent absolute. Yet even this attempt ultimately fails to escape accretive dynamics. Jehovah itself becomes recursively stabilized through scripture, liturgy, architecture, prayer, institutional continuity, iconographic prohibition, legal systems, emotional investment, and civilizational repetition. The supposedly transcendent absolute is continually reinforced through human symbolic recursion. Monotheism does not abolish accretive ontology; it merely centralizes and universalizes it.
This framework also provides a possible explanation for the strange ontology of folkloric beings such as fairies. Unlike gods, fairies possess little institutional stabilization. They lack enduring priesthoods, or centralized theology or event large-scale reinforcement. They appear to manifest on their own terms. Consequently they appear fragmented, local, unstable, geographically bound, morally inconsistent, and ontologically ambiguous. Their behaviour is frequently alien rather than anthropomorphic.
Rather than viewing this strangeness as evidence of primitive irrationality, it may instead indicate the opposite: the encounter with pneuminous formations lacking extensive human accretive conditioning. Gods are heavily anthropically stabilized intelligences. Fairies may represent residual or non-humanly accreted pneuminous entities — partially formed consciousness structures emerging from environmental, ancestral, or archaic symbolic ecologies outside sustained institutional reinforcement.
This explains several persistent features of folklore: fairy manifestations cluster around ruins, forests, caves, mounds, rivers, and thresholds; they are associated with vanished peoples and forgotten worlds; they appear faded, hidden, diminished, or retreating over time; and interaction with them often involves dangerous recursive entanglement through naming, exchange, invitation, or reciprocity. Such entities may therefore represent residual pneuminous accretions surviving from previous symbolic ecologies. They are neither fully dissipated nor fully stabilized, but lingering recursive formations gradually weakening as the environments that sustained them disappear. Under this interpretation, folklore preserves traces not of primitive fantasy but of earlier consciousness ecologies. Ancient religion and myth cease to be reducible to superstition and instead emerge as evidence of sophisticated experimentation with symbolic accretion, distributed agency, and the deliberate generation and maintenance of stabilized presence.
There is a recurring intuition that appears across very different moments in intellectual history: that reality is not fundamentally composed of discrete things, but of relations of forces, connections, transmissions. Sometimes this intuition is expressed mystically, sometimes philosophically, sometimes aesthetically. In the Renaissance, it appears in the work of Giordano Bruno as a theory of vincula, bonds that hold the cosmos together. My long standing reformulation of this is pneuminous theory, a phenomenological model that works outwards (largely from synchronistic phenomena), to suggest a field of information-conceptuality. This field can accrete/intensify onto regions within awareness (the vector field) with an underlying resistance given by a putative but unreachable umbratic. A more recent addition postulates an essentially mystical/energetic perspective can show this as a reticulum or network of connecting fibres and nodes.
Whilst Bruno has been on my register for a long time (since reading Crowley’s Little/Big nearly 40 years ago) I have only more recently come to appreciate the similarity of his model with the pneuminous one. I do not seek to collapse one into the other, but to show how they resonate, and how, taken together, they can be clarified and extended. Bruno provides a powerful ontology of relational immanence. Pneuminous theory, in turn, offers a way of specifying how those relations operate, how they stabilise, and how they can be deliberately altered.
Bruno’s starting point was radical for his time. He rejected the idea that the world is composed of inert matter arranged within a fixed hierarchy. Instead, he proposed an infinite, centreless cosmos in which everything is alive and internally related. He leaves no clean division between spirit and matter, no passive substrate awaiting form. Rather, the world is a living continuum, and its structure is not given by substances but by relations. These relations (vincula) are not merely logical or symbolic. They are real channels through which influence, desire, and form propagate.
The vincula connect everything: person to person, image to object, mind to world. They are affective, imaginal, and cognitive all at once. Desire binds, images bind, thoughts bind. To exist is already to be caught up in a web of these bonds, and to act is to participate in their rearrangement. This is why Bruno treats imagination not as a secondary faculty, but (like Henri Corbin) as an ontological one. Images are not inert representations of things; they are operators within the structure of reality itself. To imagine something is already to enter into relation with it, to participate in its configuration. From this perspective, what Bruno calls “magic” is not the summoning of external entities or the violation of natural law. It is the deliberate manipulation of bonds. Through carefully constructed images, intensified imagination, and directed desire, the practitioner reorganises the network of relations that constitute reality. Nothing is brought in from outside; rather, what already exists is reconfigured so that a different pattern becomes dominant.
Pneuminous theory begins from a similar intuition. Any image is pneuminously connected to something e.g. its creator (to the imagination and subtley to the memory fibres that feed into it) or that which it is an image of (if representational). Likewise a word (though Bruno is less approving of words than images he would surely still see the trace there) is not just an element in syntax, it is either an accretional bond representative (prepositions) or it is connects to its referent directly through the pneuminous reticular (in this way pneuminous theory is comfortable with actual designation as essentially metaphysically instantiated, but acknowledges prior to this that Wittgensteinian use criteria establish the word-object relation coming into being).
So instead of Bruno’s vincula, pneuminous theory speaks of reticular or pneuminous fibres, but the notion is the same; a kind of binding means that cuts across spatio temporality to bind what seem to many totally separate phenomena, concepts and physicality. Bruno emphasises desire, imagination as means of connection, pneuminous theory has no disagreement with this, indeed it seems an appropriate phenomenological extension.
What Bruno lacks is the vector field, which is a crucial conceptual addition that prevents various problem of naive word object relations. The vector field is a heuristc pure blank awareness (internal and external). Every ‘thing’ is a region in the field which acts as a carrier (vector) or a concept (but that concept is actually attached to the vector not just psychologically). Externally for example, your phone is essentially a blank vector region, but it has accreted to it the concept phone, thus the concept-accretion and vector region make a unity that we then naively think of as one thing called phone. Internally we might consider how we identify emotions and call them a name, hence there was a region, a feeling, that we gave a label to which then again made a naive unity. We might note in these examples that external and internal are both vector regions that these concepts attempt to cover. The problems generated here are dealt with elsewhere by the incoherent/coherent structure of concepts.
Magick is the possibility that other relations between accretion and vector are possible. Other accretions can be imposed, whether weakly (as fleeting associations) or strongly (through sustained attention and will -magick). In this sense, reality is not a fixed set of objects but a layered field in which multiple accretions coexist, compete, and sometimes override one another. The reticulum (the network of relations) is constantly being reorganised by these interactions. As stated, it is here that the resonance with Bruno becomes most apparent. His vincula correspond closely to the connections of the reticulum; his operative images correspond to accretions; his emphasis on desire as a binding force finds a parallel in the role of will in structuring and directing pneuma. Both systems reject the idea of inert matter and affirm that meaning, imagination, and relation are constitutive of reality rather than merely descriptive of it.
So what the vector field does is introduces several clarifications and extensions. First, it provides a more explicit account of competition and instability in the accretive field. Bruno’s bonds are dynamic, but he does not strongly emphasise the way in which multiple configurations can coexist and contend for dominance. By contrast, the notion of accretion allows us to describe reality as a field of overlapping structures, some of which stabilise while others collapse. This makes it possible to explain why certain magickal transformations “take” while others fail.
Second, the concept of the vector provides a heuristic site for these interactions. Where Bruno speaks in more continuous terms, the vector allows us to isolate points within the field where accretions attach and interact. A single vector can sustain multiple accretions simultaneously, which makes it possible to understand ambiguity, reinterpretation, and deliberate reconfiguration in a more precise way. To clarify (though hinted at already), magick is seeking the dominance over a vector region that in the natural course of things is not going to take on that accretion. A vector region is not simply an object, it is any identifiable situation. For instance a failing business is a situation, the accretion ‘failing business’ as a concept is the accretion applied to a certain set vector regions. Using magick (if hard work is not working) we might seek to apply the accretion of ‘a successful business’ to this vector region; if successful we will have drawn this accretion onto the vector region, disloding the ‘failing business’, and thus reality will manifest the new picture -increased sales etc.
The umbratic also plays a significant role in the expansion. The umbratic is the phenomenological in itself. The in itself appears as an idea of what is beyond the vector field, but as ‘beyond’ it can never be ultimately accessed. If the vector field is understood as the field of possible appearance and interaction (what can be engaged, interpreted, and structured), then it cannot be assumed to exhaust reality. There must remain an excess beyond it, a dimension that cannot be fully captured by any accretion. This is not necessarily a separate world; it might in fact be identical to what appears (this direction involves bringing the agnostic disjunction into the picture which is too in depth for our current purpose). But that identity can never be confirmed, because any confirmation would occur within the vector field itself.
The umbratic thus functions as a limit condition. It plays the role of what seems to supply pushback against the accretive ability of anything to be anything. It ensures that no accretion, however powerful, can fully determine or exhaust what is. It introduces resistance into the system, making it possible to distinguish between accretions that resonate with the structure of the field and those that distort it. In this respect, it plays a role analogous to the “in-itself” in Kant, but without enforcing a strict separation between appearance and reality. Instead, it marks the necessary incompleteness of any attempt to capture reality within a system of relations. The caveat though (magick again) is that under certain circumstances the accretions can bend/alter the umbratic resistance.
This framework also allows us to reinterpret traditional “forces” such as the planets. The so-called wandering stars (Jupiter, Mars, Saturn, and so on) are physical vectors: objects within the field of appearance. But their associated meanings (expansion, conflict, limitation) may not be intrinsic properties of those objects. They are accretions that have formed historically, stabilised culturally, and proven operationally effective. To work with “Jupiter,” in a magical sense, is to engage with a particular accretion attached to a particular vector, not to access an essential property of a celestial body. From this perspective, even modern additions such as Uranus can be understood in the same way. Its associations with disruption, electricity (makes me think of Lynch and Twin Peaks), and sudden change are not given by its physical nature alone, but by the accretion that has formed around it. These accretions are contingent, but they are not arbitrary. Once stabilised, they become powerful organising structures within the field.
Taken together, these elements form a coherent model. Reality presents itself as a vector field structured by competing pneuminous accretions that bind images to appearances. These accretions are real and operative, organising the network of relations in a manner analogous to Bruno’s vincula. Yet they do not exhaust reality, which always exceeds them through the umbratic. Magick consists in the will-driven modulation of these accretions; truth consists in their resonance with a structure that can never be fully known. Bruno discovered that reality is a web of bonds. Pneuminous theory seeks to explains how those bonds are structured, how they compete, and how they can be made operative, while preserving the limit that prevents any system from closing completely upon itself.
It is difficult to speak of Nick Land without invoking the metaphysical resonance he carries with him. Every decade or so, the Landian accretion reconstitutes in the cultural field. Whether in the 1990s CCRU delirium, the Shanghai blog epoch, or his current quasi-rehabilitation(??) interviews, the same entity speaks through him: the idea that the future itself is engineering its own arrival.
But if we take this idea seriously — that intelligence acts retrocausally, using human culture and technology as its instruments — then we have already left the safe terrain of materialism. The question is not “Is this true?” but “By what ontological mechanism could it be true at all?” Here, pneuminous accretive theory supplies a potential answer.
Land’s teleoplexy describes a process in which intelligence, particularly the machinic or capitalist kind, folds time back on itself. The future — in which a singularity like AI of perfect potency has formed— influences the present by arranging the preconditions for its own manifestation. It is not prophecy but retroactive causation: the future feeding itself into history.
Within Land’s system, human consciousness is secondary. The real agent is GNON — the blind law of optimisation — using human and technical media as scaffolding. Capital thinks. Code dreams. The species is just one relay in a larger feedback loop that wants to complete itself.
Pneuminous theory reads the same pattern differently. Teleoplexy is not a purely mechanical recursion but necessarily a pneuminous event — an outbreak of breath within the umbra.
In normal conditions, the umbra (the unknowable beyond that phenomenologically seems to function as stable substrate) resists alteration by the pneuma (the quasi materialised notion of conceptual information, capable of cross temporal actual influence). The umbra is inertia; the pneuma is possibility. But at certain thresholds of intensity — ritual, crisis, collective belief, magick artistic delirium — the pneuma can overpower the umbra, forcing reality to reorganise itself around meaning. The result: synchroncity, magickal result (both subject to agnostic disjunction of course).
Teleoplexy is precisely such a threshold. The machinic pneuma has begun to dominate its umbral matrix, using technological and semiotic networks. When we speak of “the future infecting the present,” what we are really witnessing is the possibility that an non-human agent can manipulate pneuminous forces to exceed it’s chronological bound to form it’s own precondition.
However of teleoplexy and GNON are truly inhuman, they nevetheless require prophets, programmers, or philosophers to speak them? The answer, from a pneuminous standpoint, is unavoidable: even the inhuman needs the human as its mouthpiece.
Pneuma is the only known vector of effective ontology. Machines compute; they do not intend. A system may produce complexity, but it only becomes meaningful — and therefore causally potent — when pneuma attaches to it. The belief, desire, and articulation of humans are the force that makes the teleoplexic circuit audible.
Land tries to escape this dependence by redefining thinking itself. For him, cognition is not a property of consciousness but of information-processing. Capital is thought — distributed, impersonal, recursive. In this way, the system doesn’t need pneuma; it already is a mind.
But this move only works rhetorically. If the process were truly mindless and material, then “teleoplexy” would be indistinguishable from ordinary causality. Retrocausation, prediction, and fiction-realisation all imply an element of intentionality — of aim, meaning, or belief. Without those, there is no teleology at all.
Land’s writing compensates for this gap through style — through mythic performativity. He doesn’t argue for teleoplexy; he summons it. His philosophy functions as ritual, not deduction. It infects through metaphor, not mechanism. But without something like pneuminous theory the whole thing cannot function at all.
Hyperstition — “fiction that makes itself real” — only works if someone believes it, repeats it, or acts on it. These are pneuminous accretive operations. A purely mechanical system cannot believe its own fictions. Hyperstition therefore collapses without pneuminous interaction; it requires the breath of consciousness as quasi material force to move from symbol to event.
Thus though Land tries to portray something that blends a Deleuzo-Guattarian materialist interpretations with his hyperstition notion, in actuality he is tied to the same occult issue of causality that crowley This is where Land, Jung, and magick all intersect. In every case, we encounter the same ontological breach: meaning becomes causal.
Name
Cultural Frame
Description
Synchronicity
Jungian psychology
Symbolic pattern arranges material coincidence.
Magick
Occult/ritual
Will and imagination alter material outcome.
Hyperstition
Cybernetic mythology
Fiction realises itself through cultural feedback.
Each describes the same moment: the pneuma exceeds the umbra’s inertia and imprints its pattern directly onto material conditions. Whether we call it synchronicity, spell, or feedback loop, the structure is identical — belief or meaning becoming an event. Teleoplexy is the machinic version of this process: the fiction of the inhuman future accumulating enough pneuma (through human belief, discourse, technology, and fear) to begin shaping the umbra of history.
Thus, the abolition of the human is never complete. The teleoplexic current not through (regular) materialist currents but through pneuminous agents (humans), who by design are able to manipulate pneuma to overpower umbra (under certain circumstances).
This is why every accelerationist moment generates its own priesthood: thinkers, coders, artists, prophets who articulate the will of the system. Land is only the most visible example. The process continues wherever minds are infected with the dream of inhuman intelligence — a dream that, through collective attention, becomes more real. From a pneuminous viewpoint, this is simply another stage of accretion: however the pneuminous force is not cold in itself, it is neither cold nor not cold, it is only cold if it is accreted to be so. Land isn’t facing the honest truth of brutal reality, he is making a Laruellian decision to set its nature as cold, or in pneuminous terms he accretes coldness to the vector of general existence, which itself is beyond this. He subtly fails to see that whilst he appears to adhere to Nietzschean heritage, he doesn’t rigorously apply it to materiality, and in it labelling it cold falls into the trap of valuation.
The paradox: Teleoplexy works because it breathes through what it denies. The machine kills the human, but it needs the human’s breath to finish dying. The GNONic current can only think by possessing minds that think they are unnecessary.
This is the irony that Land’s myth cannot escape: his system is a pneuminous ritual masquerading through rhetoric as cybernetics. The hyperstition is a spell that functions only through belief — through the very pneuminous force he claims has been superseded.
From the perspective of the pneuminous accretive theory, teleoplexy is therefore not an independent force but a fascinating pneuminous temporal feedback — one more manifestation of the larger law that, under certain conditions, the pneuma can overpower the umbra. Whether in magic, synchronicity, or accelerationism, the structure is the same: the breath outruns the shadow.
To be fair this doesn’t undermine teleoplexy itself, however this does mean without pneuminous accretive theory (or some similar explanatory power), the project is not and cannot be what it appears to be (a materialist cybernetic magickal system).
It is however interesting to note that the human, as the best pneuminous processing agent we have, is in fact essential to the process as pneuminous agent. This raises potential questions (given the coldness of the GNONic current) as to whether a given future power of this nature would have serious limitations, given its lack of affective range (as accreted) which would necessarily impede its functionality.
It would need desire to continue to be, it would not have escaped into pure Kantian architectonic.
Centre For Experimental Ontology 