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This Tooth is called Passion. In the Hyperqabalah it is Pnaslokied, it is the feeder node for Bnasupach which is related to Pan. Passion as a primal energy feeding Pan seems appropriate.

The notion of feeding is relevant to the note. From a level of ordinary reality one is forced to concede that a piece of art made by an artificial intelligence may be superior to one made by a human artist. Furthermore as AI gets better, so its ability to produce works of art that surpass human abilities will continue.

However from the pneuminous perspective the works remain quite different owing to the underlying metaphysical structure. Pneuminous theory is there to make an ontological connection between phenomena that is actual and not psychological. Things are literally connected on the conceptual (pneuminous) plane and the pneuma can actually do things (magick).

This means that at least in part the artists intent (such as they have one) is a real factor that can never be separated from the art as the pneuminous fibers continue to cling to it, even in death. That is, the dead artist is still an accretion in the pneuma and their fibres still cling to the vector that is the art object. This perpetual connection may be correctly or incorrectly read. Even if incorrectly it does not mean it is wrong experience of art, only that it is wrong in relation to the artists connecting pneuma, the original accretion. The new perspective forms further accretions onto the vector which layer on top of the earlier artists intentional levels.

When AI produces art it does so with none of the intent or passion or conceptual play that humans do. Its accretive relation is totally different to that of a human artist. Because of the way humans form pneuminous accretions, they are entangled with the objects. AI will be producing some kind of pneuminous relation but it is not at all similar to the human relation.

In the diagram we can see that the subject S perceives the art object AO . It folds it into its own pneuminous field understanding it as the artist does or otherwise. Either way there is an increase of pneuma to the AO vector. In the AI relation the subject still perceives/interprets the work but the creator only produces through algorhythmic lines which can contain nothing like ordinary artistic involvement/dedication —there is nothing like effort in the same sense involved. Furthermore, in the human relation, the artist perceives its own art work thus adding extra layers of complexity. The work is created and interpreted by the artist as well as being interpreted by the subject. In the AI relation the artist does not then perceive the work, the work is not appraised by the artist (unless prompted) it has no connection to it other than slender impersonal pneuminous fibres of necessity.

We might argue that currently AI is still prompted by a human and then appraised/selected. This is largely true however it doesn’t massively change the metaphysical difference. There would then be an ‘artist’ behind the AI on the bottom right (in the diagram) which would supply some sense of intent. The pneuminous structure would be somewhat connected but it would still not be identical to a totally human produced artwork. Furthermore the pure AI model can stand as we can readily conceive of an AI artist that once programmed creates things at its own behest, yet still cannot be said to employ effort and passion in the same way.

This is all a moot point in a sense as whilst the pneuminous theory does present a model in which the metaphysical structure of art would be literally different between the various modes, it would also be impossible to tell this difference. No part of this argument says the pneuminous relation is visible, only that under a certain conception of reality, it is necessary.

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This Tooth is called Incest and in the Hyperqabalah it is the node Jincdotec. This node is fed by Zirnstaai.

The three (heuristic) spheres of reality are, the regular world, the magickal world and the energetic world. I’m not pretending this is a perfect breakdown but for the purpose of this note it will do.

The everyday world is the one we most commonly live in, or at least most of us. It functions on the bounded level of spatio temporality and gives rise to scientific rationality. This world is perfectly real. It is largely easy to communicate about things at this level because they can be spoken about in ways that people can recognise as having similarities. The rules are the same for all of us.

In this level the accretions may be sort of understood, though it will likely be only psychologically. We may understand that things are seen through concepts, though this is only an interesting feature of how perception occurs and not of ontological significance.

Magickal world functions at the level of the accretions. Magick as an activity that attempts to manipulate the world can do so because the accretions are not simply epistemological but rather ontological. Concepts (accretions of pneuma) plug into regions of ‘reality’ known as vectors and then create a filter through which concept creating organisms like humans view them. This makes a feedback loop of reperceiving the object as the concept thus driving the accretion further into the vector, making the identity between closer (though impossible to reach).

This process is the everyday magickal act of perception which reinforces the reification of object/concepts. It is also the level through which ‘magick’ as a reality manipulating activity takes place. Desired concepts (what the magician wants to happen) are applied (spells) to vector regions (situations that are required to be changed to the will e.g. make next Tuesday a sunny day, make it so I get the job etc). This is all achieved at the pneuminous accretive level, which in a sense is still actions with the world with the only difference being that the strings are pulled in non physical ways.

The last division I have called the energetic world. This name is chosen not arbitrarily but on the other hand only in recognition of how this term is often employed in esoteric systems, designating as it does, a nebulous power that courses through all things.

Energy must in a sense be the pneuma itself, except of course it is not bound into accretions. The practitioners who attempt to engage with this level are the mystics and their kin. Here the actions do not attempt to engage with the accretions but only to dispel them so that reality outside of them can be perceived. This is the most difficult aspect of all occult practice. This is the realm of silencing the mind in endless layers that show themselves. The accretive layers are very very deep.

All these layers interlock. The magician makes some use of the energetic but they do not pursue it. The everyday makes some use and has some perception of the magikcal but they do not pursue it. The energetic is inescapbaly embroiled in both of the above constantly strive to over come them.

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This Tooth is called Eris after the Goddess of Strife. It is Zirnstaai in the Hyperqabalah which is the feeder node for Jincdotec. Its tree is the poplar or aspen, animals are beavers and kingfishers.

It is strange and interesting how in the process of pulling out a philosophy, its twists and turns show themselves as it goes. It’s almost as if Hegel was right.

The reticulum as I have described it, is an interconnected series of fibres that connect beings together in endless a-spatial-temporal ways. What seems to be clearer now is that rather than a kind of in itself, the reticulum is the conceptual (pneuminous) in itself.

Whilst interlocking with this in some sense, the energetic levels can in a sense be considered separate from this. This seems to be the case because the energetic levels function outside or at least in a different relation to the accretions.

Herein does lie something of a paradox that we cannot intellectually untangle but that intimates that certain developments of awareness alter the relation between the central point of awareness and the accretive layers. It is paradoxical because accretions are concepts. We necessarily see the world with them. Yet the person who has achieved sunyata has in a sense removed the accretions from the vectors, and yet they can still function.

This must regard the energetic way in which the accretions are attached to the organism. When seamlessly attached in normal circumstances the organism uses energy to attach/maintain the accretions. This results in the positive feedback loop of magickal creation. In a sense, to see things as they are is to break the feedback loop. This returns the access to the object to its primordial use level and stops the formation of archetype and the process of archetype projection.

This too is clearly related to the two kinds of esoteric interaction, but more on that later.