We are delighted to announce that our Zones edition of Parasol is now available.

Many thanks go to our fantastic contributors:


Pseudo-Heraclitus
Reza Negarestani
Adam Sobsey
Simon Sellars
Germán Sierra
Peter Heft
Helen Arenson
Mike Carrao
Gui Machiavelli
Tony Richards
Ryan Madej

And zone monitoring assistants:

Amanda Dow
Hannah Fortin

If you enjoy what we do and feel like giving a financial thanks, please use the below donation buttons.

All funds go into more projects and nothing else.

Manhorcan or ‘Into Restless Light’ is a work by the poet Seranoga. The text seems to speak of a kind of double world and a connecting point between them. The word Manhorcan seems to be of his own invention and from its use elsewhere we can be fairly sure it refers to a triangular like formation that occurs naturally in the branches of trees. The text also intimates something of the passing of beings between these worlds and suggests three ways in which this occurs. One is being conjured ‘recitations’, two is that beings may pass through without being summoned ‘you do not always need a key, and thia same rule applies to me’ and three is suggested as a combination of dreams and fear. The spinning shapes referred to at the end have never been successfully deciphered.

A hidden gate between the trees,
A soaring spire that rests at ease,
Behind the circle stands a man,
Who crosses where he first began…

You’d want to see the motion,
You’d want to be the notion,
A slope that hinted downwards,
But lines that stated roundness,

Look at surroundings all are green,
But nothing is quite what it seems,
For here duality strikes twice,
With all the errors of that might,

Into restless light,
That seemed to shimmer with the night,
As cones exist in double lives,
To enter all those within strive,

Com Manhorcan, Rai Manhorcan,
Com Manhorcan, Rai Manhorcan,

Ah Recitations, the cause of visitations,
A spiral drawn between the lines,
No god could ever hope to find,
You do not always need a key,
And this same rule applies to me,

Siamese twin of this world,
And liquid night,
Into restless light…

A hidden gate between the trees,
A soaring spire that rests at ease,
Behind the circle stands a man,
Who crosses where he first began,
And at its end of spinning round,
Revealing more beneath the ground,
The opposite, the self invert,
The hidden land within the earth,

Com Manhorcan, Rai Manhorcan,
Com Manhorcan, Rai Manhorcan,

I crossed in dreamed ascension,
Released by intervention,

Look at surroundings I am here,
Existence constant feeding fear,

Gaps in nothing,
Spinning shapes appear…

In a very early sense of pre-Zone Parasol type excitement we have compiled the early zonetology writings in to one handy pdf.

The document  is available here and features such classics as:

Zonetology.

WHAT IS THE ZONE?.

Notes on the Zone Concept

Notes on Dereliction and Zones.

Zonal Interference: Taxonomy and Umbratic/Pneuminous Relations.

Notes on the Phenomenology of Pneuminous Perception and Zonal Creation.

Zonal Notes and Paranormal Taxonomic Review.

Practical Zone Research Project -Sketch.

Zonetology Research Report 23/10/19.

Caves, Natural Zones and Pneuminous Accretions.

Notes on Randonauts, Zonetology and Pneuminous Theory .

 

The umbratic is a curious intersection of different ideas. It is necessary and unnecessary. Its necessity is derived from the fact the idea cannot be removed. It’s lack of necessity from the fact it is technically not needed.

What is it? The umbratic is the idea of the unseen. It is the incoherent phantasy of being outside of perception. It is the wood where no one is watching or listening. The idea emerges out of sceptical thought that attempts to answer the question: is being that is perceived identical to being that is not perceived? The resultant inability to answer this question leaves the agnostic disjunctive appearance over the answer: we cannot say if there is a difference or not. The phenomena that point to there being a difference are again the occult ones. The point being that in synchronistic/magickal phenomena reality has shifted somehow outside of our perceptual sphere -we mean this specifically to the exclusion of the manifestation of spirits/immediately visible/audible phenomena (these invoke different kinds of concepts). That is, we do not see the mechanism by which magick/synchronicity has occurred. There is simply an uncanny rearrangement of things that has the appearance of some kind of agency being involved. This appearance is suggestive of a radical reality rearrangement that was only possible outside of perception, hence the invocation of the umbratic as a space in which the rearrangement was possible. Of course this doesn’t entail that magick/synchronicity could not still be functional in a metaphysical sense without umbratic rearrangement. Such possibilities exist as attractor models: the reality alteration is brought about metaphysically in some way by bringing certain things towards the protagonist without literal finger clicking alteration (such models also entail accretive type entities). However, the fact that the sudden alteration model exists is enough to give the umbratic life.

One can think on the impossibility of the umbratic, on how a space that isn’t perceived is not possible, on how there maybe always something there to detect, to perceive. But the impossibility of the umbratic is not enough to defeat it. It is a strongly incoherent concept that thrives on that impossible sensation of attempting to think what it is to imagine a space that is not being perceived. From here it derives a lot of its power.

The umbratic is related to the thing in itself. It is similar to a perfect scientific object. Something without any observer bias. This is part of its phantasy. But all prostheses act with our consciousness, there are no reports back from the umbratic.

We can try to do away with it. In the pneuminous theory we can imagine that there is only the pneuma, only the conceptual stuff. The umbratic, as mentioned, becomes unnecessary. But the appearance of the beyond the pneuma, beyond the vector field is still there, the phantasy of the outside, the absolute beyond the human security system. So a pure idealism always generates the idea of its beyond which it can never ascertain the validity of.

The umbratic gives the idea of structure. In the Tractatus this is how it is often mentioned. This association is related to the pure idealist issue. The appearance of the idea that there must be something behind the image invokes the notion that this part is what does the holding together. This is reinforced by the way in which the pneuminous level of concepts seems so easily detachable from the vectors. The pneuminous accretions can be unbound from the vectors and clearly perceived in the mind (a field of pure pneuma).

Does this mean the vector field and the umbratic are the same thing? No. Because it is possible to catch a kind of glimpse of the vector field. Phenomenological stripping down achieves something like this. But the vector field is still perceived being. It is like being without any accretions attached, or at least as best as we can achieve. However we can never be sure that there are not inbuilt structuring forces that mean the vector field itself is perceived as a limit, that is there is some kind of Kantian aesthetic holding things together even at this level.

The umbratic is darkness, literally. Darkness is where we cannot perceive so again the notion of the unperceived reemerges. This creates the curious identity between the space behind you and the space in the shadows. Seeing the shadow is the closest one can get to perceiving the umbratic. Of course a certain aspect of the shadow accretion means that it is totalised, that we simply understand it. But the ontological shadow is different from this. The ontological shadow reveals darkness to be the space in which the regular accretions of that shadow space are more prone to being taken over by different ones. That is, the umbratic is presupposed to be a structuring power that lies beneath the vector field. The accretions, the concepts, plug into the vectors, this unity makes our world of things. But the accretions exist unbound also and operate on their own unbidden by our conscious minds. The accretion has the power under rare circumstance to alter the umbratic. To do this is must alter an existing vector-accretion arrangement. In perception as it is happening, the feedback of the realness of the world enables the perpetuity of the solidity itself. But outside of perception it is different, outside the accretions imprinted on the vectors are in some sense still there, yet immediately there is a loosening. This loosening is what makes magick/synchronicity possible. This loosening happens in the darkness because ontologically the lack of perceptual ability facilitates the loosening of the solidity and interference from rogue accretions.

There is power in the shadow.

 

  1. Manifestationism
  2. Incoherence
  3. Phantasy
  4. Pneuma
  5. Accretive theory itself
  6. Design a god.
  7. Significance/Insignificance
  8. Designation
  9. Vector theory
  10. The Umbratic
  11. The Double
  12. The zone
  13. The numbers/the system
  14. NARP