This Tooth is called Luna. As you will know, the regular Qabalah comprises of a central column divided into three paths. Luna is the lower most of these paths. Its tree is the horsechestnut and its animal the hare. In the Hyperqabalah it is Netahucla, which is the name (as mentioned elsewhere) of a very strange god. The sense of this strangeness is evoked by the way in which Daagolenyfo feeds into it from the circuit. This node (Daagolenyfo) is connected with the end of things and the beings that prey upon it (like Cthulhu). Netahucla emerges from this situation. Hrislohoepp is the feeder node, which is a node of primal thought. Maybe Netahucla is the first human god?

This is the 18th Tooth of the Mouth of Towards. Its name is Superman/Boudicca, which in the Hyperqabalah is the node Eilduour. It feeds/gives birth to the node Teufos which is the 13th day of the Mouth. In this way one of the many strange tunnels which exists in time exist between this Tooth and the Tooth of 5 Teeth ago.

This relation is strengthened by the fact that the descending great path in the lower half regular Qabalah is formed of Foetus and Superman/Boudicca. Interestingly this is the only great path pairing that is reflected as clearly connected in the Hyperqabalah, as such it warrants especial significance.

CEO and Jessica Lightfoot-Toye

Now you must know of the subterfuge that the young man Aniello created in order to disguise his desire to copulate with his chicken. This bird looked after Aniello whilst he was a beggar, right into its dotage, laying him an egg everyday for him to consume (or at least that he consumed). Aniello loved this bird and hence in this loving respect repressed his desire. Upon its death he retrieved a
marvellous red stone from within its skull, which could grant all wishes.
His first wish of course was to resurrect the cathectic object. Upon reanimation, the fowl could speak and in doing so it offered good advice to Aniello about how he might enjoy life. Presumably
because the chicken never suggested it, Aniello did not wish for his true desire and hence applied a glamour of handsomeness to himself, magicked up a castle and married a spoiled princess. Two wizards who wanted the stone, then tricked it out of his spouse and undid all that Aniello had done —though the chicken remained alive but no longer capable of speech. Eventually Aniello regained the stone, turned the wizards to donkeys, rebuilt his castle but no longer wanted the spoiled
princess. He then re-considered his repressed issue and in an ingenious, yet obvious, solution, he wished that the hen could be a beautiful maiden that he could marry, which he did.
It will be clear from this that Aniello succeeded in largely fulfilling (not resolving) his Oedipus complex (insofar as such a thing is real). The egg laying chicken, (his symbolic mother), became desirable to him and yet was prohibited. This was so partially owing to his loving respect for it and partially through its lack of speech —these two points are of course related. The wizards are his father that sought the stone for themselves and hence to deprive him of the chicken. They of course
failed and Aniello (as mentioned) transformed the chicken into the maiden. Of course, after all this Aniello had to marry the chicken/maiden/mother. For he still felt the same love for her as when she was a chicken and hence did not simply want to fuck her. But what then
for Aniello? He had a marvellous red stone to grant them all things and a chicken/maiden/mother for a wife. When he fucks her, she makes a bit of a strange noise and admittedly she has strange line in conversation (making dinner guests awkward) but apart from that all is good.

For three years Aniello and Rachel, whom he’d at last given a human name, cohabited in relative peace. Thanks to Aniello’s (or rather, Rachel’s) magic red stone, the couple never wanted for anything as everything they desired appearedbefore them as soon as Aniello rubbed the precious jewel. It wasn’t long before verdant green gardens, vibrant courtyards and high walls flanked the borders of their grand estate and their palace continued to grow in size as Aniello continued to wish for excess wealth and luxury. But while he was now the richest, handsomest and most revered m.an in all of the kingdom, he could not shake a sense of unease which grew within him.

Aniello continued to obtain carnal satisfaction twice daily (thrice if you count the additional weekly session on a Tuesday evening). One day after completing this particular ritual for the second time, Aniello, while sweeping up the ever-growing pile of feathers expelled from their pillows during love-making, began to contemplate matters. He looked toward his bride and began to observe her in an altogether different manner. His gaze was first cast over her tawny plumage and he considered how it occasionally sprouted the odd feather which she plucked serendipitously when she thought he wasn’t looking. It was then he began noticing other remnants of her former self. Her nose which he once considered noble took on a more beak-like quality, her round chest puffed forward like an avian breast and her long fingers (of which there were only three on each hand) reminded him of the elongated toes which once extended from each foot. But what unsettled Aniello most about his gradual realisations was that his bride’s daily offerings of eggs had failed to cease after her dramatic physical transformation. While he had not seen his bride produce these eggs which she assured him were still her own, Aniello decided that he’d rather not give this conundrum too much thought.

As he sat one morning in their magnificent dining room, laden with an exotic array of fruits, confectionery and sweet meats, he cracked his daily egg on the edge of the oak table when he heard an unexpected sound. Lifting the egg to eye-level, he noticed a refraction of blue light gleaming from within the thin, membranous layer. Cautiously, Aniello began peeling it in precise segments when all of a sudden, a shrill, watery voice cried out from behind the ghostly veil.

Returning to my attempt to follow the pneuminous calendar through the year (lapsed for quite a few days) I note today is Twilight. This is the 17th Tooth of the current Mouth. Its symbol echoes the strange manhorcan structure that is a gate to the other world. The Pan sigil also refers to the manhorcan (and is the previous Tooth). Twilight of course is the most liminal of times and so in this sense is the manhorcan. Twilight is one half of the great path which descends into the lower half of the tree, the preceding part of which is Pneumatology. The significance of this pairing has not yet been thoroughly thought out.