A brief and unpretentious dive into the Castañeda/Lynch connection through the show Twin Peaks and the book The Eagle’s Gift (the last one before Carlitos’ descent/capture). The key non-thesis of the speculation thus: David Lynch, finding himself in a similar condition as Carlos Castañeda, fighting assimilation of his vision by Hollywood, produced, more specifically with The Return, a critique of the descent in-itself, sketching a diagram of his own escape (which Carlos himself failed to perform). If Lynch ever read Castañeda is beyond the point. Here are fragments of conversations held at the CEO.
I wonder if we could think of Judy (Jowday), that is represented by the beloved “Owl Peaks” symbol as the dark side/counterpart of the Eagle (or really just the nightly aspect of the Eagle, for what is an owl if not an eagle one sees at night). If we assume Jowday is a manifestation tied to the Black Lodge, it seems to be the case. Even more because, in this book particularly, and its transition to the next, Carlitos fails (like our beloved agent Cooper) and is captured (as is expressed in the mythos of his own cult always torn and in constant war from within).
“We are luminous beings, we are better than that”, the motto La Gorda keeps repeating to Carlitos each time he starts worrying or wimping too much, the one thing she supposedly kept on repeating as she tried to “save” Carlitos from the jaws of the jaguar, fits very well with the White Lodge’s ‘residents’ true face:
Laura truly is the Twin Peaks equivalent of the infamous Nagual woman: a prodigious, luminous being that got snatched too early in her life and exhausted her potential by the suffering her captors imposed on her, into and onto, for the very teleological motif that is the production of garmonbozia. And they did it all, the Black Lodge’s rogues, to feed on this secreted creamed corn. It sounds too much like the story of the beautiful forgotten Nagual woman. By the end of Twin Peaks (The Return), everything in one timeline is corrected and Laura’s corpse even disappears as if either she never existed there or was saved (I think she was erased from that timeline and jumped, only unwillingly via Coop — who thought he was doing good by that, when in fact he was only reviving her death and so prolonging her suffering, pain and sorrow, much like Carlitos and Carol Tiggs joining the cult). If more pain and sorrow, that is, garmonbozia, is the result of Coop’s failure to fix his heart, and said creamed corn comes from a continually doubled Laura, doesn’t this mean he is worse than BOB? Upgraded BOB, in fact, that feed us the garmonbozia while reciprocally being fed by our need to hear that lovely scream.
The Nagual/Tonal–Right/Left side quadratic polarity is also very reminiscent, to me, of Coop’s multi-self:
BOB-Coop (or Doppelganger, The Lovers Reverse and The Magician Reverse),
Dougie Jones (or Tulpa, The Lovers Upright and The Fool sideways),
‘Original’ Coop (or The Fool Upright and The Magician Upright),
the guy Coop snatches the body by the end (or The Fool Reverse and The Hanged Man Reverse).
Relationship with Carlos Castañeda (or Carlitos, for the “fictional” character), following the diagram of the Seer:
Tulpa/Dougie: fake double, Carlitos’ right side that forgot his Naguality.
Trapped in the Sphere of Direct Knowledge, devoid of access to the Sphere of Self-reflective Worlds.
BOB-Coop/Doppelganger: fake nagual, Coop’s and Carlitos’ snatched left side that does not remember but that still subsists due to power-momentum (Bad-Coop managed to contain BOB, still inside him, for 25 years). Its destruction is the rejoining of the left and right sides and Coop/Carlitos put back together.
Trapped in the Sphere of Self-reflective Worlds (like BOB), devoid of access to the Sphere of Direct Knowledge.
Original Coop: the Tonal, Carlitos before the split performed by Don Juan and Don Genaro.
Composed by and composing of the gra-tree-like structure, the hero’s journey proper is the dissolution of this harmony via the scission/split between spheres, resulting in the Doppelganger effect where communication is made difficult and an antagonist projected/manifested.
‘Spirit’ Coop/Coop of the end/Coop snatching the body of the guy at the end: Coop failed to remember and rejoin what was split properly, just as Carlitos, and his Naguality then, instead of entering the third world like his masters, jumped back into the island of the Tonal to snatch the body of another person (by invading another’s dream, other TV show). He indulged to the very end and became like BOB, a vampiric specter, only by the end we got to finally see the world from BOB’s perspective, or an upgraded version of a rogue of the Grey Lodge, the in-between that is the failure of proper conjunction. We are invading the automaton carcass that is “Cooper” in the same way he is invading people from another dream, supposedly our dream. It is, instead of a mutualistic symbiosis, a reciprocal parasitism (where the audience may find some enjoyment in the confusion, and Coop find some purpose in continuity as we feed him energy to continue his task of failing to do the good he wants).
Lost in the Third Field of the Unknowable (3), and in fact the avatar for such. He finally did it, but failed in doing it properly.
If Lynch would comment on the later activities of CC, I think he would say something along these lines, that he “didn’t fix his heart — but he did not die either”.
But there are things worse than dying, as the Naguals would say.
Carlitos Cooper continues to refuse to die, like the fabled Hope of the myth, their leftover residue just symbols now. The dreamer vs. dream debate is over, nobody is the dreamer, there is only nightmare.