The Hyperqabalah has its roots in the mysteries of the number 47. These have been given here. This manifestation of the 47 is entirely autonomous to the Pomona appearance and its subsequent Star Trek influence. Herein lie two connecting lines to the number 23, now sacred to Eris. Pomona is the Roman goddess of the orchard and hence of apples, and so the line is drawn. 47 found its way into Star Trek, the Star is Sirius (then this line drawn is a key…).

The Hyperqabalah draws from the 47 and pays homage to the 23 -which is prior. When the Gra-tree of the Qabalah was drawn, it placed the 4 and the 7 in the central column to emphasise their alternating nature as faces of the same thing. When each path was re-sigilised it was allocated a number 1-22.

Because positive integers were used for all paths in single symbols, when the notion to create the Hyperqabalah appeared it necessitated that the base in which it functioned be the one in which there are 22 single symbols for positive integers and that when 0 was added the 23rd became this base’s equivalent of 10.

Hence the base of the Hyperqabalah is base 23. This is not of the strongest necessity, but it is of reasonable necessity whilst it also taps into the historical accretive line of this number. The Hyperqabalah is a synthesis of the 23 and 47 on mathematical and historical accretive axes.

The Hyperqabalah is a snapshot of the reticulum, the a-spatio-temporal light fibres that underpin all the worlds. Hence the number of paths is in some sense arbitrary. In the Qabalah there is a sort of suggested necessity to the shape the Sephiroth form. In the Hyperqabalah there is no such necessity. There is a circuit of nodes, there are the feeder nodes and there are the three master nodes. The connectivity of circuit and feeders to the masters has less suggested necessity than that of the Gra-tree