Photo: @juanmascan1978

Everything is incredible. I am always wiping the counters. The crumbs are everywhere. People are frightened by books. Books are frightening. What is this technology. What? I dusted the entire living room. I deserve accolades. I deserve a blowjob. I deserve a tongue in the ass. Toolmaker. Are you making tools? Are you acquiring language? What good are our feelings if we collapse into stars? We keep banking on each other, and the economy is failing. Get a jetpack. Get a parachute. There is no in-between. Are we really here? Probably. There is nothing else to do. She leans forward. Her nipples teasing the tip of my tongue. She is fucking me. I hold onto her ass. She bites her lip. Clenches her buttocks. Squeezing. Fuck, she says. Fuuuuuuuuuuuugggggggggggggggkk! Where do you go when you are alone? Is the Cosmos bigger than the biggest big? You. 

Me. 

I.

.

Kafka was quite a dancer. Camus, too. Writers are stick-figure people. Cannot sit still. Jittery. Feathered dinosaurs and impact craters are on my mind today. Am I a scientist? Hardly. Just a curious human being. I look at my hands. Extraordinary. The interpenetration between Zig and Zoë is the Big Bang that begat the Cosmos. She pulled his hair. He pulled hers. They came together. Triumphant. Let’s begin at the beginning. Shall we? The end is near. The human machine engaged in a sex act. Three smokestacks on a horizon. Eighty meters high. I kept looking at them. Not understanding. Sex is an algebraic proposition. The television is broken. We have nothing to watch. We will have to watch each other. Watch ourselves. Where does one body-machine begin and another end? I keep getting older. The mathematics is exhilarating. Are you real? Are you plastic? Are you electronic? Are you supersonic? So I started measuring things. The diameter of the salad bowl is eleven inches. What is its circumference?3.141592653589793238462643383279502884197169399375105820974944592307816406 * 11 = ? I stopped multiplying things. Too difficult. I racked my brains. And what? Purposeless. We keep fighting over existence. Who lived harder. Etcetera. This novel might not end. You realize that, right? So long as we are on the same page. What if nobody reads this? Is that not the best possible outcome? All things considered. I wish you could write paragraphs. Like meat & potatoes. Not these appetizers. Hors d’oeuvres. I’ll try. I’ll try. I am a beginner. Something is troubling me in the margins. Not sure what it is. A ghost. A palimpsest. The labyrinth of the mind is a phantasmagoria of memory. Inventions. Things made up. Truer than the truth. We must obey. Listen. At least lend an ear. It could be from elsewhere. A faraway elsewhere. Frequencies. Oscillations. The machine bores me with its boredom. I have not had a human thought in 18,374 days and counting. I will let you know when it happens. If it happens. You will be the first to know. Artificial light. Artificial gravity. We float in space capsules made by a machine brain. Delusions. A vapor trail cut the blue sky in two. What if the fighter jet crashed? Pilot killed. Innocents killed. This is a big city. Densely populated. Millions spent. Probably billions. To design and engineer and build the flying machine. To show off. To show the rest of the world we are powerful. I am poor. You are poor. We the People are poor. Beautiful days spent without an adventure. Life itself is improbable. A miracle. She came to my apartment to watch TV. She drove her parents’ car, and parked it on the street. She had short brown hair. She sat on the carpet in front of me. I lay on a broken sofa behind her. We watched TV. I started playing with her hair. She did not say anything. I was almost surprised. Did I pull it? Give her hair a tug? She turned around. She climbed on top of me. We wrestled. Playfighting & laughing. Our faces so close to each other. Our lips met and we kissed. Startled us. Things got real. Everything felt serious. We started making out. I suggested going to my bedroom. She hesitated. Just to kiss, I said. And I meant it. We kissed and grinded our bodies on a bed. Neither of us had realized how hungry we really were. It was the greatest day of my life. I am looking back through Bergson’s telescope. Everything is so far away and so close. I do not know what my experience is. I do not. And I do. Can it be both? Yes. Yes yes yes. 

What is love? 

It is all there is.

by T.W. Selvey

Those who can’t, teach. Those who don’t learn from history are doomed to repeat it. Or forget how to repeat it. Wiping memory doesn’t wipe history. I’m here to teach, because I can’t. The LAPD tech wizards have memory stick wands and the forehead on sale at Best Buy is equipped with five USBs. Is that enough? The mouse is wireless, so control is unimpeded, however. One click does the job like one savior does the saving. Before the dawn of electricity and mobile persecution pods. Before the plug was pulled. Before oxygen tubes had softly blown in the last oxygen, the last breath as a figure read Fukuyama in a convalescent bed. Before the beginning of the decade, in the first century, or in the last century or this century. The global empire named Figure trudged along, sweeping up countries into a dusty corner pile. But now, global civilization faces a dissatisfied cataclysm, which is unapologetically hungover, grouchy, and unmotivated.

Norms, democracies, wars, nation-states, and the 20th century ridicule cataclysm, the young destroyer corrupted by pubescence. It’s unprecedented. Rulers and demagogues laugh and laugh, believing their own brain stew propaganda, since private prisonsunder the aegis of global enterprise gathered all oppositional politics into a gulag. The freedom to make money is the only freedom that counts. The climate sours. The populace tastes bad, like imitation Chanel, but mobs keep getting devoured by the thousands anyway.

Criticize if you want but the wait staff are blameless. The wait staff threaten. No more water. Doilies are nicotine stained but liminal. The back burner kept the sidelined issue warm, but it’s time to starve. Destabilization complains. The Secretary of State said it’s a good time to invade us. Air strikes were called in because all the insurgents were gathered in the streets, making it easy to end the domestic dispute. The theorists celebrated the decentering. Flattering, I know. The cataclysm might breakdown in plentitude, when the crisis intended austerity, falling wages, and escape tunneling. Not going to engage the tormenter on Facebook since problems exist and intersect in me, a socially aware paradigm that’s intersecting a shitty old syntagma called ‘me’ again.

Frank talk coming from a hotdog, a hot-god, a hog rod. I was trying to say ‘rot-god’ but the censors are genetic now, but in quotes means I don’t mean it. Sex privatization became the rage and the new investment instruments were binary chromosomes, which pleased Evangelicals, eukaryotic and dualistic down to their lexical cells. A hodgepodge of greedy men yanking and touching stagnating gonads. What is the opposite of a death spiral? Welfare check on the cataclysm.

Cataclysm reemerged from hiding, and begrudgingly agreed to render society into lard and tallow. Much more useable now, and, it pays. The robots’ severance package included blood depletion and free VHS copies of Robocop, each driving a Ford in a sprawling fleet, a line of individuals engaging in solo mass production to revive the cancelled Taurus. Industrious, he became a factory, a cyborg coughing up sulfur and coal mines, usurping dioxide, cross-legged, exploiting ant and beetle labor, a stretched forearm skin canopy draped over machinic cock output. Sit down, focus, and fix the annihilation, before it withers and retreats. Since 1979, Bretton Woods has been logged and razed. The reflecting pool is a hollowing cataclysm. Take 1 cup of this year and flush it away.

Hold up for a second. Who’s ‘he,’ because I assumed briefly it was Robocop. (Robocopy.) No, but any ‘he’ will do. Move on.

The organization came up with a competing ideology based on ruining self through rapid self-preservation. DNA tablets. Tubs of de-aging, anti-wrinkle cream erased millions of faces. The earlier part of the year had a resurgence. I got my face back. A face on my lower back, a tattoo of a clock. I owe everything to time, this time. Very basic economics lesson, bitch: Capitalism does not run fast in one direction or treadmill in one place! Sidetracks and loops beset the course, which is angular, uphill or hitting the front tire on a gutter and spinning around on the back tire, the hood dented by an asteroid or an operative defenestrated from heaven or from a ghostly Twin Tower. Speed is not fast. Boredom beget orgies. Stop here and fuck. Fuck stop signs. The entanglement of the roots with the mycorrhizae is a chance to inject drugs, but they were rented. Rent to own drugs. An underground drug dungeon, the American dream. Bank of America dealt me an FHA-backed bank loan. It’s my dream. Wake me up. Tacky, kitsch morals tacked on the intensified exploitation. Slowdowns more than inconvenience the system. Glue and tar streets, alleyways, and the sidewalks, since the system will rear up and jump on dry surfaces. Since 1979, the unfettered market and greed was celebrated and individualism was heralded as rewarding, more so than collective action and union solidarity. But in fact, the right-wing ascendancy in politics turned individuals into pigs on a spit. Trunks of individuals. Turned. Tender. Obesity dripping extra-large pizza, gut fat eagerly dripping on the fire. Lowered pay to them by buckets because they were in a pit. Bragging about being a major ad recipient, getting all the best ads at maximum speed and in every dimension while you pay to work in a mental factory, bored, slow, and out of this month’s data allowance. Fast phone runs 500 apps. That’s not fast. That’s revolutionary technology, a great opportunity, cataclysm, a chance to catch us unguarded, as there is no factory reset. Feed is out of order and I don’t know what the fuck is happening today, as if today happened in this timeline, a microprocessor clock speed that is slowing at a slowing rate. The chronology adapts, accelerating backwards, backing into a repair bay, where I say it’s time to change the transmission fluid for an extortionary amount but shoving the credit card in my back pocket, actually I cut the brakes. Actually, I committed theft, caught time, a time trap, and drove off a cliff, mashing the forgetful pedal, the pedal forgetting to contact the absentee brakes, the absentminded brakes listening instead to a memory loss track set on repeat, the fire ball on the embankment, exploding me, stopped on repeat.

My thought slowly lurches from the direct clutches of substantialised conceptuality (pneuma) to more prior considerations. The chief of is the locating of what are called paranormal phenomena in a space where their paranormality is not possible, that is where they are simply a part of what is, and as such do not represent any kind of rupture.

This means considering such phenomena as ontologically prior to their being held as rupture or anomaly. This hypothetical position may be taken to be a kind of transcendental state not unlike the Laruellian one. That is, it serves as a unifying condition of possibility from which the perception of anomaly may be perceived.

Furthermore the analysis of phenomena as pneuminous accretions itself makes an overly rational analysis of the phenomena. To be fair this is what it is supposed to do i.e. supply the most reasonable explanation if one accepts the phenomena. This however ignores the primordial manifestation which cannot decide this interpretation by itself, it can only display a world inhabited by all manner of powers.

Agnostic disjunction is not even primordial, for agnostic disjunction can only occur where an ontology is being formed. It entails the choice between minimally two proto ontologies. The programme of manifestationism -the warring ontologies- must be reconsidered as a later effect. A valid later effect, but not a primordial situation.

Such considerations will hopefully, over time,  be able to yield a perspective that synthesises what later become epistemological problems (agnostic disjunction). That is, the aim is for a description that lies before such bifurcations arise.

Photo: @krisroller

I lay awake. The ceiling is landscape. Skyscape. A half century of existence. What could possibly go wrong? The President is tinkering with Iran. People are dying. We are protected by a computer screen. Until we realize it is plastic. Until we realize it is not there. No separation. Amerika gets bigger and bigger. It is no longer a country. If it ever was. It is something else.

Information. What is information? The Camaro parked on the street? The yellow sulfur streetlights? Is it a Camaro? What if it is a Mustang? I think it is a Camaro. Yes. Definitely. It is a Chevrolet. Why do I doubt myself? Am I a coward? Does anybody really care about this conversation inside my head? I am not even sure I do. Yes. Uncertainty. Everywhere. I no longer trust myself. Bergson tells us this moment is telescoped through everything we have experienced.

Is memory a peephole?

Are we looking through the wrong end?

Pinpricks of light.

.

I see you. I think. If you are. Are you? You and I keep blinking in and out of existence. What a performance. Being a person. Who says it is hard? Just be. You are what you are. Or not. This is your beating heart. Your inhales. Your exhales. 

Strike a ball.

Watch a ball hit your racket        a yellow blur.

We are waiting for memory to return. It will never return.

I am a creature of the elsewhere.

This place is temporary.

Good enough.

The chainlink fences. The scrub oaks. The dwarf pines. The endless sand and the sea.

What will happen to you? I hardly know. If you do this for money, you are doomed. Nobody reads. Not anymore. If they ever did. People need a text for survival. This is that text. A novel. 

It cannot feel like a novel. Must feel otherwise. Urgent. Emergency purpose. Not a beach book. Or perhaps a paperback at the sea is the most important book of all. Endless miles of beach sand. 

Zoë in her bathing suit. 

Waves.

I linger at the edge of memory. Fog. Mist. Under a gray sky. Every now and again I see something. What? Unsure. Lack of clarity. Opaque. Obscure.

The Volkswagen Beetles of tomorrow are hurtling through hyperspace.

You ever feel like driving a ’74 Volkswagen Super Beetle down to the Very Large Telescope in the Atacama Desert of northern Chile? I feel like that sometimes. Shift into gear. Pop the clutch.

The fallen pine trees are everywhere. The river gurgles. Earth spins. Turns. Orbits. We are passengers aboard this rocky planet. Spaceship earth.

Will they carry this book at The Strand on Broadway? Who the fuck knows? Who the fuck cares?

Are you a writer? Are you a dishwasher? Are you a sock puppet? 

Are you capable?

Can we use this book as a flotation device? Is there any yellow highlighting in this book?

Is this book really a novel? I mean, I am starting to wonder. Where are the actors?

Is this a first edition?

Signed? Get the fuck out.

I am getting hungry for a paragraph. You got anything left? Like a story. Like a fairy tale. Tell me more about the Sump Monster. That dude freaked me out. Did he really wear a brown paper bag over his head? And he just emerged from the sand dunes? Heavy. Really heavy, man. I’m trippin.

It might happen. It might not happen. Whatever is about to happen. What is the probability? What are the odds? I am not a mathematician. I am a novelist. I am a machinist. I am an artist. 

I am a hooligan.

I am a jester.

What information does your body take in? What perceptions? What observations? Sensations?

I am a fool. I get easily fooled by the foolishness.

Newspapers.

TV shows.

Radio.

What is the ultimate reality?

A memoir of Being. I should write a memoir about Being.

Fragments.

Diaries.

Notes.

The echo is uncanny. Orgasms lasting for 13.799 billion years. Spiral galaxies. Supernovae.

I miss you. You know who I miss. Remember what you said?

I forget.

What is left of what we were? We shed our electronic snakeskins. Keep moving. Keep wriggling. I am becoming something else. I have no idea what. Are you what you anticipated? Great expectations. Remember Miss Havisham? She freaked me out. Not sure if I ever recovered.

Amerika is at its best when people invent things. Nikolai Tesla. Charlie Parker. Jack Kerouac.

The government can brute-force the key space on your iPhone.

We are electronic beings.

Quantum beings.

This book is forever. Keeps getting better and better. Can you take any more?

When does a novelist surrender?

Never!

Might have to perform a spellcheck on this puppy. So many words. Ruff ruff! Bark bark!

Cats meow.

Marmots whistle.

I am in the Wilderness. The wilderness of the human imagination. Anything goes. Anything is possible. We are beginners. We are professionals. We are electromagneticbiochemical reactions.

It is so fucking cold in Space.

This apartment is toast. It is my spacemachine. Things I think here are incredible. The vastness of not knowing. Unpredictability. Beginner’s flux. Every now and again I am.

Absolutely!! she texts me. I want to bend her over a green leather sofa. It makes no sense. She is twenty. I am ?. Actually, it makes sense. I want to pull down the back of her panties. See her ripe cunt.

Men write about machines. Women write about people.

Just an observation. 

Might not even be true. 

What do I know?

Is film superior to literature? Probably. What are we doing here? Spooling from spool to spool. Reel to reel. The electronic eel of human consciousness is the Kraken.

Zig imagines the spread of his big right hand on K.’s left buttock. 

We are in Greenpoint. 

Fucking.

Everything is imagined. Even reality. Even real things.

I watch Zoë lick the glans of my penis.

My balls are getting bigger and bigger and bigger. My balls are bigger than grapefruits. 

I am at a distance. 

I get smaller and smaller and smaller.

I want to get arrested. I want to spend time in prison like Václav Havel. I want to write letters to Zoë. Is it too late? I want to be a playwright. I want to be a dissident. I want to be a defector.

Eyeballs the size of grapefruits.

The secret police are watching you.

I write a quick novel. This novel is a quickie. A detective novel. SF novel. A dimestore novel. Pulp fiction. Amazing stories. Hugo Hernsback. Philip K. Dick. Fans call themselves Dickheads.

I have no time for Amerika.

Amerika is all I know.

Thinking about writing a SF novel about a man named Razaqk. Something like Logan’s Run. Razaqk and his girlfriend Giselle running away from the secret police. In a big city in the not-so-distant future. A planet under the threat of giant methane clouds. Earth is becoming a gas giant. We are going to freeze to death. Unless we can escape. Escape pods are only for the elite. Razaqk and Giselle are adjunct lecturers of composition. Pods are not designed for part-time faculty. Nevertheless, Razaqk and Giselle make love like nobody has ever made love in the 13.799 billion years of the Cosmos. They deserve a second chance on a terrestrial planet. We all do.

Are #hashtags making us happier?

We are lying under the duvet cover. I am wearing a flannel shirt and green dungarees.

“I am taking off my pants,” she says.

“Why?” I say.

She laughs. 

Nobody can come. I am just too tired. She is just too tired. We just kept fucking. Doggie-style. Missionary. Nobody comes. Still. It is nice.

I thought you abandoned Civilization. Why are you still here? So much good TV on Netflix.

This paperback will be carried in the backpocket of every University student on the planet.

Unfinished nature of reality. That is what intrigues me. The fragments. The particles.

We are interactions.

I realize I faked it for most of my life. That is upsetting. I thought I was real. It just crept up and slapped me. Such realizations are incredibly sneaky. I sit in a chair for a long time. Run my hand through my hair. Who am I, I keep saying.

Getting colder. When it gets this cold, there is only a single goal: to remain. 

Survive.

Wait for the sun to heat up. If it ever will. Wait for it to expand.

What am I supposed to do? What if I do nothing? Is that okay? Will the Cosmos collapse? Or will I remain? What if I sit here with the engine running? Jotting my thoughts into a notebook. Making believe I am somebody else. Not simply me? Will you go on? Will you continue? Dare you? Are you not afraid? Uncertainty. Unknown. 

You are brave indeed. I envy your position. Where are you, if I may ask? Aha. Just as I thought. No need to elaborate. We understand each other.

I am getting bored watching strangers walk past me. Vehicles accelerate and decelerate. Supposedly, the planet spins and orbits and loops after the sun.

I have no concrete proof. No evidence. For any of this. We could be a film projection in an extraterrestrial theater. Perhaps a planet circling Betelgeuse.

I hear that star is going to blow. Supernova. Wait for it… 

there.

Getting colder. I should restart the engine. I turned it off. To save the planet. Now I feel cold. The vacuum of space presses in on me. Sucks me up. Into a tube. 

Wormholes fascinate me. As they fascinate you. What do you say? Let’s go for a twirl. Let’s go for a swirl.

The Internet is a disaster. Everybody knows it. We are addicted. We are bewildered. Riveted to the machine.

Snow. 

Are things a little better? 

Yes. Little bit. 

Kind of nice.

Do you suffer from Imposter Syndrome? I do. I definitely do. I do not belong here. Never did.

Anger.

Unable to capture the Kraken in my bare hands.

She is so good at it. What am I good at? I keep trying to be a person. It is so hard in Amerika. At least for me. Are you doing any better? I hope so. Somebody has to represent.

There are so many writers in Amerika.

They are writing memoirs.

Diaries.

Letters.

Fragments.

I want a totality. I want the whole fucking thing. Bring me the Kraken! And if I see Pierre fucking his half-sister in that crazy French flick Pola X one more time… I just don’t know. 

I might watch it again.

Again.

by Evan Isoline

The rosy tigers mutated under your fingernails. (This is probably my favorite photo.) Mimicry. A few of the tigers are just clones of other tigers. (Click to enlarge.) 


Of my blood-colored wheatfield when I hold out your fingernails. The sunlight is too much for your eyes and you are not alone. Your eyes will never be too much for me. A mere mite, a blighter of a blab, is what I would offer in lieu of a reckoning. We are not yet at the level of the dead and I am not a dead man. My balaclava is an emblem of the dying. Their sum is a symbol. Where is nobody? 


(Click to enlarge. Click the face of a tiger to see more detail.) Where is the one within and the one outside and its sound? The grasslands are jacinthe in your grasp, where everything is different from everywhere else, where your own little dream is brook-fed and teeming. I would tell you that everything has been done, but I would be an imp of the first rank, a reasting renaissance is what I would breed. The sound of the grass is enough. 


Your fingernails are clogged with light, baetyl stones of a new order, and the teeth of the sirens grind for art’s murder, but not yet. (Click.) The tiger’s face is an empty white mask of what is not. The sun is an example of how to perceive such things without knowing them. I am nothing if not an unidentifiable symbol. Garish as the tiger is. What somebody is beyond speculation? Your bullfighter sweat and so forth. It was a ghost thing. You leave my skin on a faraway hill, as I stammer, oh so happy, a fool in the stage light. (Click image for more detail.) 


I was familiar with two things. This place is without an architect. The second thing is that you had already made me a copy of myself. I cannot speak for the mountains I left in the desert, where my parents are watching birds with strange eyes. The way that we are not our bodies. The tigers through the holes of a ski mask make you forget about the emptiness. There are tigers in the trees. You mouth the word “fire.” Your picture is a dalliance, of the sort that has not a blush or a blench, of what might be in a way not worth seeing. (Click to expand.) 


Nobody here is waiting for the other tigers to evolve. You are already an avatar for a different you. (Click image to open in new tab.) The tigers have feathers in their mouths, but this cannot be taken as proof of a connection to the sky. You shake your head, fraught with pang, point toward the spikelets of foxtail, needlegrass and brome, you make the sign of a rectangle, in the air with a finger. We stared at the clouds that had gushed out or met amorphosed. Each omnipotence is a solitary duet between the sky and itself. (Drag the edge of the frame to adjust image size.) 


There was something familiar about the image. Medieval ghosted tigers, phantasied, decorated, captive until transferred to the new host. Do not expect them to be shunted to a pool of goo. Endosymbiotic rift, a slurp that equates them to stars running through my fingers. (What you click will tell you what you were looking at.) The image had a function outside of itself: it was a map of unconnected places. Antipodes. Not an object that is seen, but a subject that sees. I go back to the niches to repeat a bitter remorse. Grapefruit sweat and so forth. The white tiger on the right has been painted red to resemble the blood of the sun. The tiger to the left is an homage to your love. 

You make the sign of a triangle, which I see as a sail or a wing. A boat is an object in pre-phonological perception: a sight-word. So is a plane. But I know what you mean. The tigers of the droning sea, you think, they do not go near the surface. You would daftly dare to swim them up, just for a look at the sky. The white sky gralloched for the same reason you pleaded the sea to a truce, the bamboos of a broken arpeggio, also palindromes of the moon, fed your carpals with a thunder that flayed the clones of the tigers, more gaunt now, as the image becomes less a representation of the sun and more a mirror of my own rage. 


Where peonies grow wild, the grey peonies sown to your nailbeds, the linden trees and their branches, encuticled. They are so much more, like you, a monasticism, than little beasts made of clay, in the mangrove swamps you call the stage. (Click for higher definition.) Gravity-truth or allegoric. The mince of this once plucky saint all twee and frown. How you muck up, bring ruin to undue dominance, slip to surliness. I don’t like a foretaste of masks. (This picture mocks the way I associate the word “mask” with the idea of masks.) The tiger’s face as a cynical rhizomatic wombland and it’s here. My memories as a blazing cyberlag, a vandalized temple to nature. 


(Open tab incognito, click, click, click.) The heliotropes and pyroclastic borages remember why they are trounced upon, the calliope hummingbirds you call in, each had a name. Why is a word a man? You remarked apropos of an answer, and through the mask you are always oratorically nude. The image is less associated with a sound than with a silence. The image of your dream, this theatre of plenitude and the lolling moorlands where you hide, or were you entranced by a graceless glow? No, flatteries like this, be damned, treasures of hurt, such as I cannot say, as drunk as a swan on white water, this Moloch’s mastery of miniatures—a mighty insectile burden!


(Click. Click. Quite satisfied with the double-click.) The white swan in the mouth of the tiger, the tiger painted black, the two in a circle, the cloned suns I had been too afraid to touch, that are, when they were the bribe for hate, loose swarms of lineages withering, after your abracadabra, waiting at chakra-points of my blank frame, cruel biomes, where the tigers flood in. (Click the maw to open.) The antithesis of semiotics, I suppose, is your picture, skulled in the throat of the tiger, kiss, kissed, by a wide-open spigot of ants. My own implications. The lust and fear of “why?” Why is darling. 

Even in the chaos, there is a number-zombie (letter), which is called Becoming. Autoflowering. Ditto dandelion and begonia. (Click the “x” in the tab to close the window. Force quit if window won’t close.) Remove the mask. The image wasn’t rosier than the cinders leaking up in the dark. The wet-winged tiger split this misanthropic breed from its old god. All your brooms were broken. Floating in the zeitgeist. The image approaches a thaumaturgical theatre. It was the day before, and suddenly it was gone, like a dream. Sunlight on a windowsill. Sunlight in your eyes. I’m a sign, they think, shifting up, back, subvocalizing. The most kind of jaw-dropper quill. Red of acetylene. Numb threads were woven along. Their sum was arbitrary. There isn’t a number lower than infinity.