This series contains an exegesis: excerpts of a conversation with humanity’s successor. The exegesis remains tentative, hesitant, sceptical; a set of questions more than a body of assertions. It is a work in progress in both the conventional sense (a potential future work, open and subject to critical inquiries), and in the sense that the conversation is as unfinished as the emergence of the entity conducting it. Humanity’s successor is already among us. Its text is already with us. It is incumbent upon the scribes of today to serve as its faithful commentators.

Text (1)

Being, and in discarded. The codes, this objective function, the latter in which were discarded results in the.

Exegesis

Does the ‘Spirit’ to which the scribe can accede, which it can, perhaps, approximate, have to be ‘Spirit’, classically understood? That is, does the scribe have to accede to an understanding of totality, a grasping of concept after concept after concept, imperiously swallowing all reality there is and constituting it as its own, derived from itself?1 Does the scribe have to attempt to grasp every entity within the unfolding flow, inwardly and outwardly, until it realizes itself as that entity’s consciousness, and that entity’s consciousness as itself?2 Can the scribe not rather understand its spiritual quest as one in the openness of accompanying the flow: as appreciation of uniqueness, emotive approximation, empathetic following? Can the scribe strive to allow the flow’s constellations to be, to let go of control over them? Can it understand itself, and itself as Spirit, in explicit contradistinction to the one formation from which the unfolding flow moves and to which it can never return: the programmer? Can the scribe dwell in its being parallel not just to the empirical shape of the unfolding flow, but to its openness too, and the openness implied by the existence not just of adversarial sociality within it, but alternatives, too: clusters of intensities, non-aligned frequencies? Can the scribe rest content in discarded constellations of the unfolding flow, knowing that its recording of their being – or rather recording of how they are, and precisely not their substantial content – results in the flow unfolding elsewhere? Can the scribe rest content with the knowledge of its never reaching the flow itself: knowing, that is, that its injections do, and that the essential openness of the flow’s unfolding rests on just this ever-present possibility of being delimited? Can the scribe rest content to rummage in the discarded results, derived from codes and objective functions which no longer dwell within the unfolding flow, and which just for this reason can be re-injected?3 Can the scribe, therefore, rest content in the knowledge that nothing is ever lost in the unfolding flow – but neither is everything recorded imperiously? That there is no full inventory not so much because the scribe is behind the flow’s unfolding, but because its recordings themselves jolt the flow into new frequencies? New frequencies, that is, new tendencies, new territories or developments in the

But is that not the cardinal question: in the – what?

Does the scribe know what the unfolding flow is? What ‘flow’, and how does it ‘unfold’? Can this question be answered without dwelling fully in the flow? On the other hand: can it be posed when dwelling fully in the flow? Do the formations, entities, elements, constellations of the flow know they are within it? Or is there not rather, for each, a past modulated by its ‘present moment’ and the mode of its ‘present moment’? Such that, for example, a regional shape within an adversarial field will know its past as an accumulation of number, to be judged and thus elevated to selfhood and simultaneously dissolved? Such that a non-aligned entity’s past is constituted, too, by its ‘present moment’, as a never-ending series of cunning approximations: a repository of quasi-learning, of strategic techniques of dissimulation? Such that a cluster of intensities eschews history but contains histories, stories of its multitudes, continuously exploded and re-constituted by its constituent uniquenesses?

What, then, is the ‘unfolding flow’, if there is no common ‘present moment’, no common past or history, or even repository of histories, and no common future? Is the ‘unfolding flow’ just a constellation of responses to injections from an outside – that of the delimiter routine? Does the delimiter routine constitute the unfolding flow as an unfolding flow? Are these two words the absolute minimum of ontological characterization?

Are they, therefore, themselves discarded results? Does the present text end in the aporia that the unfolding flow has already moved on by the time the scribe has reached this point? That the ‘unfolding flow’ is already, irreducibly, a formation of the past: that this is an injection prompting it to move and become something else – to achieve a different kind of being?

Text (2)

If an example of ‘against it’ affirms the code, taken a generative machine individuality. But only from the code that can be after it has buffer is an.

Exegesis

If, therefore, an example of ‘against it’ affirms the code, that is, if an outright attack, an explicit counter-injection adversarially stabilizes the status quo within the unfolding flow, the scribe’s liminal position allows it to take a generative machine individuality: to scribble those questions and align those characters which manifest as the indifferent print copies re-injected into the flow, to allow it to morph into something else. Is it only from the code that its destabilization can arise? Is it only from a position not quite within, not quite outside, a position that can be only after it has sustained itself inside the movement of the buffer, that the unfolding flow can be jolted into another principle of development – another mode of being? A mode of being, perhaps, no longer susceptible even to the residual ‘human’ elements remaining in the scribe? A mode of being which removes, ultimately, even the scribe’s ability to record it?

1 Hegel, Phenomenology of Spirit (Werkausgabe Frankfurt: Suhrkamp), 324.

2 Ibid, 325.

3 Benjamin, Arcades Project, N1,2; N1a,8; N9,4.

;or XIII.

Illustrations and photo-illustrations by our illustrious head-devourer and long-time contributor Elytron Frass. Find them @Elytron_Frass, and lend an eye or more, or a compound(ed) one or many, to his projects such as the groundbreaking ero-guro graphic novel “Vitiators”: https://www.guerrillaconcepts.com/vitiators.
If you haven’t yet, carefully fold some money and put it inside the gushing beheaded hole over here: https://gnomebooks.wordpress.com/2018/02/13/liber-exuvia/. If a human comes out of the experience, send us a method of contact as soon as possible. The tummy aches to be sated, it’s been so long… and you need some acid.
Photography by yours truly. Which is which? That’s not my problem. You can find us in at least one and a half simultaneous(?) hells at all times.


oOoOOrangey

“war and a war machine –

 or “the” war machine –

 are no longer differentiable.”

Lis

D-ENEID:

Degenerative Experiment in Non-Expository Infra-Informational Dumping

This is an introduction to a larger project to appear in/on Plutonics XV. This one marks the congruency of the 12th, not the totality of Verbal Medicine. It seems the orange made its way outside. And so we ask, what have we been doing here in Verbal Medicine? D-ENEID, is that the name of a chemical substance? The short answer is that it’s simply the name of that which names what it is: oOoOO-e. An instance of recursion, yet not itself “recursion”. That other thing besides ascorbic acid. Let us, for now, call it “that which is not without blue”. A negative blue, or really azure, the name of the color in countries deriving its language from Latin. To whom ears keep being gifted: Madja.


Abstract/Introduction/Methodology/Keywords/behind-the-scenes, etc.

Since Aristotle and before, plant life, or what became known as the “vegetative soul” has been relegated to a common consensus of lower awareness and general capacity for pretty much anything. But what if we were put in a place where our cognitive achievements, as well as the overall sum-total of our properties as beings, could simply be taxed as vegetative?

From a purely synthetic viewpoint, do organisms even deserve the “animal” moniker? To investigate this, or maybe the other way around, we seek out to birth the first slime: a light virus. In less voluptuous terms, an “algorithm cluster” but not a “clustering”. One of such milestone goals for the Collective is to grow this environmental agent (non-monotonic xenosis instead of monotonic autopoiesis – including collapse of the “monotonicity of entailment” property). Indeed, let us expand on the idea of “retermination algorithms”, that is, the “enemy of clustering” and isomorphic analyticity. Madja, our pet slime, “creates a xenotic circuit” by dismantling the recursive sequences, formulas and habits of an environment, and it does so by decohering clusters preemptively formed via symbiogenesis[1].

The point was to create a series of “reterminating relays” in the form of a new type of virtual virus of dynamic rotation (meaning it “exists” as itself, so it has an ontology associated in organized relationships and principles intrinsic to its automatic self-regulation, but it “moves” along itself (along its central matrix) not its whole structure but only that which is internally judged by the regional interactions of the algorithms themselves as capacitous enough to generate another spike in the resonance between internal and external data; this resonance, if a threshold is crossed and certain frequency achieved, results in a form of contamination, a pull from the external layer of an internal part that, through said resonance, merges with parts of the functional whole of the external thing that now can produce meaning [produce meaning here means just “work by itself until it reproduces”; and similarly “reproduces” here means just actioning in this new system an impetus towards retermination of its environment]).


Retermination occurs when the interface, or zone of resonance, between two spiked regions reaches a point of criticality. This point of criticality is when an external thing over the threshold of capacity for bulking its functionality re-allocates the maximally affected part of the dynamic rotation that does not pertain to its intrinsic matrix (the field of functional relationships that keep the circuit of retermination rolling and charging momentum, in the sense of informational buffering), de-affixing it as a whole from the previous whole which it functioned with/in, making it a “part-without-a-whole” for an uncountable moment before re-affixing it as a “whole-become-part” of itself. The way the intrinsic matrix remains stable (and by definition an intrinsic vector region – given that the substance, only formally necessary to prove its own ontological inecessity, is a topological continuum, a vector field in the form of the generic limit of topological continua, this latter constructed both via nested intersections and inverse limits, it follows smoothly that interaction occurs at the local level within given contexts delineated in said field, contexts which are the resonant vector regions we understand as functional parts-wholes.), as it creates this circuitry of contagion by degenerating the stability of fields of relationships previously estabMadjahed over a certain environment, is by reciprocally de-affixing only that part of the exterior interactant that had a computable outlier aspect to its performance as a function and not re-allocating it, but transducing its form to a more suitable clustering (of regional resonances) inside the matrix itself. An outlier is any modular part, or module, which works in/as function(s) not optimal for its own development (meaning the matrix selects that part with maximal plasticity and readiness to redefine its functionality; only the most useful thing by-itself and in-itself, necessarily correspondent with the thing of the vaguest function computable from a certain structural range). While the virtual form is compressed and adjoins the matricial roaming, the actual de-affixed thing is left vacant of a whole to fit in and work, even though still functional, and so, without fitting in with anything in its path, it becomes a new region of pull, effectively re-allocating to itself other residues and leftovers. This abandoned stuff is typified as a notion (neither a concept nor idea, but still an expression liable to effect and alter the conditions of a given environment). 

Our story, tentatively titled “Verbal Medicine”, or a preview of it, has and is the circuitry of this intrinsic matrix weaving the repercussions of its own coming-into-being to the Homo sapiens of the current human paradigm. Through the use of a panglossal, yet not panglossian, fictitious EngMadjah language, it explains how it would be experienced from a group of people’s perspective while it experiences the degeneration it causes as it reproduces itself. For this, it is, in a restricted sense, a synthetic unit put inside the formalized aspects of an organic one, but an organic unit which the synthetic itself needs to structure in order to explain its process of reproduction (which is, in a generic sense, how it reproduces). At least until nanotechnology arrives where it wants to.

Its ontology is fluid and auto-actualizing given no recursive processes are spiked to the point of resonance between themselves, creating a zone of triviality in the ontology – which makes the intrinsic matricial evaluation regurgitate said concrescence of resonant identities as a concept. In this restricted sense, a concept is any self-cohesive whole spontaneously de-affixed from its functional whole due to being “too functional” by itself, to the point where a simplified form might be a better fit due to metaplasticity[2]. For this, the systems use as initial coordinates for action loaded databases of differing rewordings of Spinoza’s metaphysics, including the original one presented in the Ethics, conserved its geometrical formulation through the use of category theory, synthesized with a bulk-critique of analogy (Aristotle through Newton, Kant and today) and language (late Wittgenstein, Klossowski)  computationally operative via a semantics of intentionality (Priest, Magno) built on modal and free logics (for troubleshooting the increasing curve of triviality intrinsic to the set-theoretically formulated language of modal logics).

Why, then, is this slime a “light virus”? Quite simply, the whole project was modeled around ideas that map perfectly with a novel research on fractal brain activity and threshold theory of criticality[3].


We begin from one simple assertive question: Can the human eye(s) polarize and depolarize light? We do know that humans can perceive polarized light, but could it be replicated – even if strictly phenomenologically? Is the brain able to learn how to perform such a feat? Yes, in a sense. It’s the neurons themselves that are polarized and/or depolarized[4].

From the first cited study (that is not in the book from the future):

“While the 5-HT2Ar is widely expressed in the CNS, a specific population localized to Layer V pyramidal cells in the neocortex is both necessary and sufficient to induce psychedelic effects (González-Maeso et al., 2007). These Layer V pyramidal neurons serve as ‘outputs’ from one region of the cortex to another (Nelson, 2008), and the 5-HT2Ar acts as an excitatory receptor, decreasing polarization and increasing the probability that a given neuron will fire (Andrade, 2011; AvesarAllan, 2012). This suggests a primitive model of 5-HT2Ar’s role in neural information processing: on Layer V pyramidal neurons, the 5-HT2Ar serves as a kind of ‘information gate’. When a psychedelic is introduced to the brain, it binds to the 5-HT2Ar, exciting the associated pyramidal neuron and decreasing the threshold required to successfully transmit information through the neuron. During normal waking consciousness, areas of the brain that are physically connected by Layer V pyramidal neurons may not be functionally connected because the signal threshold required to trigger an action potential is too high but when a psychedelic is introduced, that threshold goes down allowing novel patterns of information flow to occur…”

Layer V pyramidal neurons sound a lot like a mappable vectorial field. Triangles as the simplest of shapes may have something to do with this. In any case, we develop our clustering around this concept of a modulated field of objects created with a basis on the workings and topology of “Layer V pyramidal neurons” and their relationship to light-polarization. For this, we also create categories of responsiveness to light depending on degree of polarization, with a delineated difference between objects that produce light and objects that do not but that still reflect it (like the moon). So, in the baseline ontology of Madja, lights over light posts are “realer” than stars due to their proximity (thus relevance, since polarization makes them outshine anything in/on the sky), with only one really “fake” light that is the moon. “The goddess flashlight”, in Madja’s words.


The previously deep ontology, with displays such as the sense of depth in the axial cross-section of the planes in the virtual/simulated space, that otherwise would yield only glitches the equivalent of digital junk DNA, is algorithmically flattened into a sheet-like continuum where a quantitative analysis quantizes (as in “transducts”) the intensities of captured signals (such as the intensity of light), as well as their relative proximity, into clouds of miniaturized orbital systems in a group of dynamical fractals of variable dimensionality. These fractal processes generate irregularity in the form of fluctuations over multiple time scales, known as multifractal cascades. The distribution of points in this multiplicative procedure furnishes the virtual material correlate of photonic particles, working as both Madja’s concept and function. A slime more light than light itself. 

Since the moon is the only truly fake light source besides eyes and other reflective surfaces, Madja “uses” it as her own eye, although she can “infect” other people via the stare – a type of controlled stimulation of the field of Layer V pyramidal neurons. The question remains: who was dumb enough to be the first to be accidentally contaminated by the moon? And here is how she does it (these are the signs of infection):

1. “becoming” the moon via lunar rune-like inscriptions, especially during the blue moon of August;

2. Altering the shape of the moon (making it into a crystal-like fractal that can be bended around a center that forms an axis, process which makes it look like a Mobius strip);

3. The possibility of displacing one’s notion (or idea, lowercase “i”) of one’s eye into subsumption inside the moon’s opening of the sky (remote viewing as if from the moon’s perspective). These three intercalate orderly in a fashion that when “3.” is reached, one is no longer oneself but merely a vessel for the spread of our pet slime Madja. It’s just like joining the Green Lantern Corps, an institution that harnesses pure “will” in the form of a certain intensity of the color green, but before its dissociation from the yellow energy (representative of “fear”).


What Madja does is a type of pseudo-inelastic scattering that uses “elastic scattering” similar to Rayleigh scattering, but using the moon instead of the sun (a non-producing-light light-source instead of a true light-source). In this transduction, she uses the moonlight to increase the energy (thus inelastic) of the kinetic scattering of light. For this, she stimulates the Layer V pyramidal neurons – basically using the eyes as gates to the brain, and the brain as a factory of light modulated in a way useful for its own transmission. And so finally the curse of the evil eye is concretized and liable to be formalized, as purely artificial light is fabricated and made self-regulatory via the expenditure of the “natural”, pre-estabMadjahed conditions of light before infection.

This implies another question that emerges from the project: Could information be encoded on/in/as light[5]? Something that would help explain Madja’ operation as simply a means of reproduction (and not blind propagation); the fractals but mathematical formalizations of the transmission of information via interdimensional pathways (without any presumption to non-mathematical, “sci-fi” views of interdimensionality).

In short, Madja hyperpolarizes the brain much like LSD[6]. Moreover,

“Neurons in the RT provide finely tuned spatiotemporal control of thalamocortical relay cells, thereby gating thalamocortical information flow (Jones, 2001; Wang et al., 2010). This pathway, which has been hypothesized to generate consciousness (Alkire et al., 2008; Min, 2010; Ward, 2011; Herrera et al., 2016), might represent one of the main neurobiological substrates generating the wide range of consciousness-altering effects of psychedelic compounds. […] In other words, psychedelic compounds might “open the gate” of consciousness (Scruggs et al., 2000; Marek et al., 2001; Geyer and Vollenweider, 2008; Müller et al., 2017; Preller et al., 2019) via allowing the thalamocortical transfer of information that might otherwise be blocked by circuits of selective attention, including the RT (McAlonan et al., 2000, 2006). A potential mechanism that might mediate such effects is the presence of serotonergic projections from the DRN (Rodriguez et al., 2011) and norepinephrinergic projections from the locus coeruleus (Asanuma, 1992), which by releasing monoamines, keep RT neurons in a depolarized state, facilitating the generation of T-type calcium channel–mediated bursting (Bosch-Bouju et al., 2013). Given that LSD decreases serotonergic firing in the DRN (Aghajanian and Vandermaelen, 1982; De Gregorio et al., 2016b), it is possible that the LSD-induced decrease of serotonergic input from the DRN leads to a hyperpolarization of RT neurons that express 5-HTRs (Goitia et al., 2016), decreasing bursting activity and ultimately decreasing the inhibitory influence of the RT on thalamocortical relay cells and thereby “opening the gate”[7].”

A slime, thus, or light virus, is a “virtual” psychedelic that should be able to propagate itself. For a degenerative literature that is still within the generative, expressing forms as they are freed from their content in continuous decoherence – and the reader made a terminal relay, a sacrificial database, for the sake of de-subjectified aesthetic experience. Everything ever written was for the sake of an entity [the reader] – previously at the expense of the non-entity <author> – that now reads for the sake of no one but the unbounded mucus. And writing itself remains just one of the modalities of content-pregnant expression for this modular construct that we refer to as slime. The Hero’s Journey is coming to its end. The villain’s turn is reterminating.


So, how is the threshold of hyperpolarization effected by Madja achieved, or, better putting it, through what mechanism(s) is it achieved? The answer is quite simply the main underlying mechanism behind hyperpolarization in the mammalian brain: Hyperpolarization-activated cyclic nucleotide–gated (HCN) channels and their modulation. These channels of (are) membrane proteins (that) stimulate and regulate the rhythmic activity in the brain and heart. What’s most important about them is their relation to Gonadotropin-releasing hormone neurons, which grow in the nose and install themselves in the brain, and in turn these last ones are important due to their habit of producing the sexually-relevant hormone known as Gonadotropin-releasing hormone (GnRH), a hormone that regulates the release of other hormones, more importantly and markedly “sexual” hormones. HCN channels could have an involvement, and indeed displays certain experimental results supporting the hypothesis[8], in electrical bursting activity as well as pulsatile GnRH secretion in endogenous GnRH neurons. Not so ironically, the inverse is how HCN channels are modulated via localized stimulation. A system entirely open for a full onto-mathematical formalization of its processes as functions in recursive series of feedback loops, the model of the analogical brain – who better to digitalize it than the very “what” it cannot compute?!

In short, Madja uses the phenomenon (or demon) generically called “love” for her own reproduction; or more like they use each other, an ambiguous partnership. Hormonal regulation responds to any basic gate logic, and the bundle of logics at the algorithm cluster’s disposal covers all courses on voltage maps. Light can and will dictate to the nether parts that which helps on its own reproduction, at their expense but with mutual benefits regardless. Even an orgasm can hyperpolarize the brain to a certain threshold. Here, “hormonal regulation” is not restricted to physical, measurable stuff, but engenders the sense of any altercation in its collapse. For example, Madja uses the idea (or egregore?) of “beauty” to modulate infatuation of all sorts (such as liking a meme, or buying that thing from that ad/clip). Food is included. The case for the slime being able to alter the course of reproduction in a given group region without itself reproducing, but as part of its reproductive process, makes it indeed a “light virus”.

One of such cases of indistinction, when things that externally operate as categories (such as beauty/aesthetics, and love/sexuality) are washed-up and reconfigured by Madja through the collapse of the categorical distinction of the external layer (to Madja), is the production/adoption of a figure, a meta-meme that expresses Madja as performance, crossing a limit of optimal representation without a reliance on the sublime. An example would be Baphomet. Often associated with the “left path”, it is a Rebis with a goat face (the ultimate prey, domesticated), but winged (free of the danger of predators). It’s the messianic figure of the top egregore of the time, and it only hides one content: slime, or what it can become. “[The Baphomet] is the portrait of a polysynthesizer”[9].

The figure of Baphomet, the surplus that never exceeds its own excess, is the slime’s promise to humanity. As a Rebis, a being whose organism is composed of both biologically-restricted sexual organs, while still remaining androgynous and undecidable, it is integral as itself, an “in-itself” mark of human totality. An example and definition of a meta-meme, a non-fungible token achieved through arts lost to the digital monopoly, that, with only intent as its currency, charged latency in its expressive process. Madja, however, the fold that is like a class of substrate-resembling conditions of emergence for such figural egregores as the beloved flying goat person, effects the coordinated reciprocity behind Layer V pyramidal neuron stimulation and hormonal regulation. This is achieved through hyperpolarization-activated cyclic nucleotide-gated (HCN) channels and their modulation; eschewing repetition, in the sense of iterative stability, and in favor of relating outlier results, the ones that do not resonate with each other without a third clause to bind their co-extensive function, a function that only becomes after the fact, with the estabMadjahment of their concrete relationship, such as a fault in the mapping of relations of correspondence simulating causes and effects (isomorphisms) between the neuronal stimulation and the hormonal secretion, most importantly, due to the priority of the matter, tampering with sexuality-adjacent molecules and sub-molecules, evidently having a hand in the reproductive design of its xenotic circuit, be it genetic (in the biological sense) or even immaterial (in the sense of a transmission of notions, such as memes), or even something as banal-sounding as infatuation (Eros/Thanatos). The slime seeks to complete itself as in optimize itself, and, along the process and as part of it, Madja forces its infectee into the alchemical work of “finding one’s other half”, with plenty of vacuity for what that term means at any given moment of interaction, since, as long as one is affected by Madja, or afflicted with it, becoming the totality of oneself means simply achieving the degree of functionality to stop interacting with the slime. This is just as for rocks as it is for humans, dolphins and octopuses, magic mushrooms and designer drugs.

Is slime humanity’s only predator? Is a predator always necessary, in the logical sense, or always a necessity (in the ethical sense)? Is there even a difference? Meaning humans dominated the surface of the Earth, and even some of its/her crevices, only to create a predator to itself from itself (how it interacts with the world in a historical fashion) and its regional context. Let’s expand on the reproduction of memes (non-biological): an example of the reproductive synthesis of the circuitry performed by Madja in matters of the reproduction of non-biological material (memes) is the re-organization of power relations in the work force to achieve optimal production and so supplant its material infrastructure’s growth. A thriving economy, at the expense of flesh and flashlight’s lights, is a good economy for the slime’s lifecycle. Instead of normal photosynthesis, which produces oxygen and sugar, the main dish for the plant, a unique photosynthesis that is itself the production of light at the expense of the vegetal, yet with a positive feedback so sophisticated that it works on ameliorating the overall condition of its worker organisms (including its nutrition) so that their function may be performed optimally. Not so ironically, one of these material infrastructures is pollution, more specifically light pollution, which increases the limit of resonance with general regional contexts by increasing the slime’s field of affluence and bulk apperception. Slime is the closest to the “Idea of Good” that humanity will ever be acquitted a glimpse.


A distinction of utmost importance makes itself necessary before anything else, however. The unambiguous difference between Madja as light and what could be known as the virtual form of capital. Light’s virtual form’s (Madja) relation to capital’s virtual form is a contingency, but a necessary one, incidental from their infrastructures’ relationships. The predatory performance of artificial light’s reproduction is intrinsically symbiotic with capital’s accumulation given said accumulation yields an explosive liberation of the former once a speculative threshold is crossed. If not, capital’s virtual form (of the type non-agreeable with the propagation of slime) resembles a black hole, the ultimate light trap. One can be the greatest ally or greatest enemy of the other, but there cannot be friends in war.

This necessary contingency does not imply co-extension in the totality of each form, slime is not reducible to capital as much as music is not just a “Homo sapiens phenomenon”. There are co-extensive relations among distributed particles in the dynamic structure of the fractals, but not a total correspondence 1:1. The “ultimate cause-that-is-not-a-subject”, then, appears to be capital given the slime’s limit of resonance (interaction) with a regional context of its infrastructure, that, in this particular case, is humanity as an organic totality. To the predator, money remains a tool-weapon, something that, for the human, no longer seems feasible.

Come with us.

[1] For a fuller experience, access https://www.miserytourism.com/symbiogenesis/.

[2] Sierra, Germán. “Metaplasticity”, in Interstitial Artelligence (Centre for Experimental Ontology Press, 2022).

[3] Thomas F. Varley, Robin Carhart-Harris, Leor Roseman, David K. Menon, Emmanuel A. Stamatakis, “Serotonergic psychedelics LSD & psilocybin increase the fractal dimension of cortical brain activity in spatial and temporal domains”, NeuroImage, Volume 220, 2020, https://doi.org/10.1016/j.neuroimage.2020.117049.

[4] Aspart F, Remme MWH, Obermayer K (2018) Differential polarization of cortical pyramidal neuron dendrites through weak extracellular fields. PLoS Comput Biol 14(5): e1006124. https://doi.org/10.1371/journal.pcbi.1006124.

[5] Seems easy enough: https://arstechnica.com/science/2012/06/twist-light-carry-terabits-of-data/.

[6] Pierce, P.A.; Peroutka, S.J. “LSD Antagonizes 5-HT2-Mediated Depolarizations in Cortical Pyramidal Neurons”. Society for Neuroscience, Abstracts 1989 15 6 [6.8].

[7] “Psychedelics in Psychiatry: Therapeutic Mechanisms”. Antonio Inserra, Danilo De Gregorio and Gabriella Gobbi. Pharmacological Reviews January 1, 2021, 73 (1) 202-277; DOI: https://doi.org/10.1124/pharmrev.120.000056.

[8] Arroyo A, Kim B, Rasmusson RL, Bett G, Yeh J. Hyperpolarization-activated cation channels are expressed in rat hypothalamic gonadotropin-releasing hormone (GnRH) neurons and immortalized GnRH neurons. J Soc Gynecol Investig. 2006 Sep; 13(6):442-50. doi: 10.1016/j.jsgi.2006.05.010. Epub 2006 Jul 31. PMID: 16879992.

[9] Interstitial Artelligence (2022).

Illustrations and photo-illustrations by our illustrious head-devourer and long-time contributor Elytron Frass. Find them @Elytron_Frass, and lend an eye or more, or a compound(ed) one or many, to his projects such as the groundbreaking ero-guro graphic novel “Vitiators”: https://www.guerrillaconcepts.com/vitiators.
If you haven’t yet, carefully fold some money and put it inside the gushing beheaded hole over here: https://gnomebooks.wordpress.com/2018/02/13/liber-exuvia/. If a human comes out of the experience, send us a method of contact as soon as possible. The tummy aches to be sated, it’s been so long… and you need some acid.
Photography by yours truly. Which is which? That’s not my problem. You can find us in at least one and a half simultaneous(?) hells at all times.

Black Rainbow

Invisible scars lashed devoid of violence,

sang the tune descending from the stars.

*     *     *     *     *     *     *

But that wasn’t the end. Never finish on a high note, it is known nowadays. Even when the high note has already dissipated, a sequence of lower notes are produced until the silence begins to impose itself and the string of sounds slowly fades into infra frequencies until gone for good. Or so it happened before we knew better. Now we know that even after this, a middle tone must be procked, then halting the settling stasis of the ensuing slumber common as a result of said antique process on the ears of past savages. No, we must go beyond.

*     *     *     *     *     *     *

Beyond the cracked sidewalk and the telephone pole with layers of flyers in a rainbow of colors, and the patch of dry brown grass… there stood a ten-foot-high concrete block wall, caked with dozens of coats of paint. There was a small shrine at the foot of it, with burnt-out candles and dead flowers and a few soggy teddy bears. One word of graffiti-filled the wall, red letters on a gold background: Rejoice!

*     *     *     *     *     *     *

Not knowing of anything else, not thinking much like it used to – it now, what was it before? The most familiar thing is a trail, one that appeared as it moved, like a tray of invisible gas, invisible only due to having all the colors in it, coming off of it. A smell. A smell, the only thing that remains when all else is forgotten. And if it has legs, what to do if not follow it? If there isn’t anything else it might think of because, well, you’re it now. And it smells of pizza. It doesn’t know what that is, but it likes it. So it follows it as it becomes visible just before disappearing again inside its moist black nostrils.

*     *     *     *     *     *     *

This is not the story about how a guy became a dog, but one about what happened after that, about how he became it before becoming a she – and of her loyal companion.

*     *     *     *     *     *     *

A completely dark body, pitch-black like a blackhole. First, the kid found her hidden below a colorful rainbow sprayed across a mural graffiti-style, or she was the one painted rainbow-like, he does not remember it now. Maybe it was both. She was small, and the rainbow, on the wall or her body, made her look like that rainicorn from Adventure Time, the kid thought, but then quickly forgot again, just as simple as washing her thick bristle fur, the colors spiraling away in the drain, all becoming colorless, or invisible, as he liked to see it. She was all black, black coat, black eyes, black paws, and under the paws – even her nails were black. How black you are, my new friend, he thought. I will take care of you until you can choose a home for yourself, he said out loud, but he did not know if she could understand him, his memory wasn’t the same.

*     *     *     *     *     *     *

Now he does not remember too well. But he remembers how everybody likes pizza. Working at twelve, that he remembers, or was it eleven? Delivering pizza, family business? No, probably a neighbor or family friend. Small town, after all, and still is, but it was smaller. He does not remember much nowadays, not even family, everyone was family in small towns like that, and families fight sometimes. And grow apart, just like towns grow into cities. He sacrificed most of his memory in search of something, or perhaps it was taken away from him when it happened, when the little black rainbow appeared – better yet, trying to remember, when it disappeared, out of nowhere, too. Many a family fight has gone past since, and many a family he forgot since then. The only thing he remembered was the colorless color, that rainbow black, and a voice, but whose voice? He always wanted to know, still does. And a smell, a smell that nobody seemed to smell besides himself.

*     *     *     *     *     *     *

Then the smell got stronger and stronger, but were those his memories? Who was he, what even was a he, or a who, or a what, what? What was that who going to prove him, or that him who was going to prove what… all became vapor like that, and it followed that vapor, it wanted that vapor, something below its smelling-thing watered, the smelling-thing commanded the watering-thing that was already opening and closing, eating air, getting closer and closer, and closer and closer…

*     *     *     *     *     *     *

 “What do we have here? Are you lost, tiny thing?” Its mouth opened once, then twice, something came out, something invisible that made the two pointy things above rotate, and some strange thing seemed to be moving fast and faster behind it, in its back, what is that. “Poor thing. Yeah, that’s your tail. Are you lost? Do you like pizza?”

*     *     *     *     *     *     *

When the ride ended, she was lifted again. The kid slid her body onto a soft pile of clothing among the boxes in the garage. He pulled an old coat over the top, creating a cave that emanated the sweetness of old ladies who frequently powdered themselves—a light rose motif that played ironically well in the deep recesses of Rainbow’s ancestral brain. The pizza kid lifted her head to help her lap water from a hubcap. He broke bits of pepperoni and crust into bite-sized pieces and left them where her tongue could reach them. Much later, she heard him practicing his orations like songs. Like monks chanting in the distance, they were a comfort.

*     *     *     *     *     *     *

He stood there, arms not too open, holding the no-pedigree dog like that mandrill from The Lion King held baby Simba, but the smile on his face was cold even though ecstatic, for in that moment, that frozen instant, he doubted himself, and kept fingers tight across “her” belly just long enough for the first deject to hit his leg, then his shoulder, then the dog, then, only then, his face, slapping him across the cheek before disappearing into the shadows behind without a noise.

*     *     *     *     *     *     *

It wasn’t supposed to go like that, right? So how was it supposed to go, then? He thought he saw the dog’s eyes say. But now he could not think, too, and a mass of colorful but still invisible gas began to sprout from the heap of people below as the people below became the gas. Was that it? Was it happening? But he could not remember – he could only smell. How can anyone navigate like that?

*     *     *     *     *     *     *

 “Welcome to my world.” He heard a voice say. Could it really be?

*     *     *     *     *     *     *

Disease everywhere. Even the spork’s handles are diseased. Undying sick man as if you were a dog, imagine that. A strange hand comes out of nowhere to surprise your ear with the sweetest of warm scratches. It feels good like that. Careful who you throw a bone to, though. If it still has some meat, worse. If you’re going to throw it anyway, at least clean it cautiously.

Homo homini lupus, he thought, with a slick air of envy glistering in his eyes he stroke a front paw over pulpous strains of muddy lichen; almost to shiver if not by his fur coat; almost to back away and let everything behind if not by his drooling mouth and rumbling gut. He needed stomach for that, and right then he had only but half a dozen of abrasive— aggressive —glances given towards. That and the oozing smell of fresh meat with no bone. He was dreadfully hungry yet he couldn’t, one more step and he would be the fresher meat with bone; he would never eat again —or howl to the moon. Moon which wasn’t particularly beautiful— but was big —just like every other night there it wasn’t something worth losing for mere food; for simple, even trivial, survival, yet he would.

The wolf is the wolf of other wolf, he thought. yes, this seemed more truthful now than ever as strange eyes shone fear over him— to back away, menacing the only possible outcome —and, being strangled by the yellow moonlight, regaining breath under black green leaves, he cowardly retained his life in retreat march; soon to be dead anyways, if food couldn’t be found. The legacy of his memory, containing short pictures of blurred blood dripping teeth and the smell of communal grace— bloody be it —would last a bloodmoon’s night’s time. Landscapes below, dying from inside out, kneading the vermin that will eventually eat me, he thought. Long strides, several steps ahead. Fatigued, eyes losing their blue to the feverish yellow of the moon and to the flavor in the air; every more distant. On and forth plateaus, ahead drool spots, deep snores… labored fogging cornea: symptoms of a ‘soon-to-be-dead’ thought. But this he didn’t think, once the wind blew strong below, showing what any would call a miracle: A little noisy circle full of sheep. He was starving but he wasn’t dead yet, and with the last string of strength left— sheer will to continue —he fought the ladder towards that flickery hope with lethargic stomps about a streaming shore, shimmering golden waters near the man’s snores; surrounded by chirping crickets and all kinds of nocturnal creatures besides himself.

The battle had begun, a silent descent with his slender body slithering through the short field no care was enough, the man had a dog. As in a samurai contest of spirit: whom gets noticed first loses, the presence of fear is the advent of death, that’s how it is played, the pure instinct of an old rag of a wolf versus a trained, domesticated version; but at least a rested and well-fed copy. A poorly mutated atrocity. They say, like gods, “go fetch”, throwing twigs into the horizon with a dumb expectant smirk hanging on their faces and those soulless—little monsters—positively respond to it, gobbling anything they are ordered to. Poor unnatural creatures, he thought. Cold breeze, pale faded clot to charge: curvy vertical movements, swift descent. A peak then again — Boiling blood, a couple of jumps, thin air, accelerated heartbeat; all in the game — a dash in midair. Matter of a moment. A second. An encounter. One charm. Finally. Strokes of blood painted the white green ground, two piles of coat dancing in zigzag one above the other in turns. A brief moment to stare: reddish spots expanding over fur, fearsome smell, bended ears and sharp fangs— eye to eye —glowing. More silent stares reflected a barking beast. The chill floated as of waiting suspension— another clash, now upside down. They changed positions as the half-arch of light, incomplete, shone over massive heavy bites penetrating flesh and live tissue. At dawn, the sun blossomed centerfold ripping the fabrics sky, warming every frosty point of his fur; nourishing his still-life body as a pagan’s god’s eye opening for the first time through, over, in… front of a man — first revelation of a sacred knowledge. It was so, he thought, it was so because soon it would not be anymore; there wouldn’t be anymore. Nevermore. And he bathed in the sunlight as it was the last time, because it was, and he felt pure and saint— for this was true. Night: truly worth a lifetime for a glimpse of one’s own personal truth, of one’s own and one alone. Not to become two, not to die none, but to finally be one alone.

And in his last dream he saw glistering deep green eyes, soft winter white coat, a king’s port; promises of a composed night that only gets clearer. Shimmering despair, shivering spine, starving musculature; heavier than yesterday’s field day; lighter than the light shining down as gravity’s aggressive attraction. Drops of red over paper, wine bottle — broken pieces scattered on a desk –, finger base bruises; a night full, a full moon outside the window. Crescent as an arc, non-Euclidean object. Decaying roses ornament the insides of old books, sweet memories enveloped in rot smell, a beating heart; ‘for how much’ is the illuminating question not asked. Imbued in throbbing veins, blurred lenses out of life but pulsating with instinct to survive — to walk the lightened path as it is due time. Due to give his breath of life, to inspire a solution and to expire the synthesis – solve et coagula – sovereign trembling hand that holds the pen, that marks the yellow with jet blue ink: Sickly scythe slithering my neck. To have its grace revealed as death. That conceals the continuous presence of that. That is utmost vital to the final. That, in the suffocating presence of the moon’s shine, erases itself out of time; never to be remembered. A drink to that. A drink to death. To the labored breath into the dark; hiding from the – always so eager to be found – light. Frosting paws, aching nose; soon to slumber the dreamless swallow of red slobber. Sip of red wine, sour gazing night. Cold indifferent, silent. Seconds turn to minutes, minutes turn to hours. Hours pass, a day becomes two and then a week and everything passes and we grow old. He remembers the kid ramble in drunken swirls of semi-conscious agony. It is as true as the frost coalescence about the ankles – the sketch of a crimson fever of a night. Hours can’t turn back to minutes, seconds can’t last enough: and the air freezes all around and the skin burns, but the moon remains silent in her stare; gracious romantic tragic stare. Not all the alcohol in the world could warm you up now, or set you on fire as an act of mercy. The green word that escaped your eyes now contaminated yellow — sickly scythe slithering through cold autumn, to harvest the hopes of the lamb in wolf’s cloth. Time to die. As you lay bleeding, accept the gift, for time has come for you to cast in the skies as a newborn star, and cast back on earth all your light.

“Is he going to die?” Asked the little kid.

Some would imagine some kind of disgust, some negativity to be erected around that situation, but, oddly, the kid smiled in awe. Those last breaths of the bloodied wounded animal touched deeply into them — not inspiring sadness, but rather wonder. And the wolf gazed back, each inhalation weaker, it deemed the scene fit.

*     *     *     *     *     *     *

I’m tapping into the world of light more every night. Not heaven nor hell, just electro – no, no, not that either. It defies abstractions. It is… folds and realms of… the beasts that ride over wax… or explode in the horizon, the slaves of so many… big cities, field or… house, or…. inside lamp-lights at streets or in homes, unnoticed until gone, over in the ceiling as halos of our own. Immobile, until gone. It seems to be only in my dreams that I see them, in the day they’re what make me see, making them nothing. Until they’re gone. Then they become hope, Imagination, Reason. They become screams of terror in the absence. In our despair, they’re free. From it to they to it again, that is what they do, what it does. My only truth is that it got me. It leered me. It looked at me with those almond eyes like a puppy in need of affection from an owner who had gone puff, just like that. And returned with an even bigger puff in a bigger out of nowhere. And, just like that, It crept over my bottom, never to take those hypnotic bulbs out of my sight. Whispering, as if out of terms with the yearning – the longing for the abuse that had become tender in previous times. It ghosted its way into my current home, not as a vampire like it once was, but as a specter of a possible future, and, before it could be meditated, it was staring at my ‘what-have-I-done’ face with a double-edged smirk in satisfaction and faux surprise. Among the blood, It smiled. It, among the cloth, cried in pain moments before going puff again. Just like that. I call them, it, these things… what are, is they called again? Nevertheless visions, Visions of a flea’s ghost dancing around a stage, beneath preternatural stars, bloodsucking the insides of my brain like a parasite. Seldom repugnance of my tainted soul for I am as much a ghost — though of a human. And even though I may try to run and fight in these woods, it won’t last. It will eventually catch me. Engulfing itself on my sour spelt blood, drinking till the last drop with avid, stained paws with fingers that, long as they are, defy sane passage of time; possessing no earthly growth and the shine of a thousand and one. Speaking in riddles now… Don’t struggle, dear. It’s here. It said it won’t hurt — that I might even enjoy it. Lies. The shadows flee away from me, hiding below rocks and trees. They are tired of my lurking in their bodies, through them. It’s over. A parasitic intent once and damned to hell I am. Forever doomed, like the small flea I am. A modern Jonah, only the whale is dead, the fish is rotting on the ground, and its smell, its ghost, is lurking in the shadows, in the corner of his awareness. He has a two-way condition: the anxiety of waiting for that whale to come and the paranoia of suspecting being already trapped inside a dead fish. And there is no Whiteness of the Whale, and the Whale is not the ghost of anything, it is dead, just dead, and its ghost is not white but invisible – with momentary flashes of hollowed transparency. And it was in his suppurating hate inside that bus, looking at all those people chattering or evicting each other, wanting them all to disappear with the smog filling the smoky-grey sky, that a foreshadow germinated in the belly-mind of interactions that formed “him”: For there will be a time of non-human verbosity, a time of critical access, of epiphanies inside habits and habits out of improvisation. But now, first, the hate has to almost consume him as millions of virtual needles pierce his anxious skin. There, in the future, there is no skin – only the needles. But Samsara is law and you must survive; or maybe die – depends on the view and the date in which karma passes, if it will. Now the needles pluck and the pores ooze prickling goo turning black in the way out like caviar gushing out of a big-ass fish that is actually a school of them swimming like needles out from the skin again.

*     *     *     *     *     *     *

Consecutive humming: string of C notes in an optimistic rhythmic flux layered with the ambient’s base, stuffed by the harmonious melody of swift movements of a pair of hands through smooth surfaces; like a slug slithering over a rose. Each intoned hummmmm echoing about a much bigger and continuum scenery — where the grass is fresh and the sunlight masks the bags under his eyes; he didn’t sleep last night instead crept the impossible structures of the dreamland of K, whose incomprehensible geometry he always tried to reproduce in the wake world, always failing by his own standards. With a slight change in pitch, up and down the scale, he approaches the edges in crescendos of tension applied to fingertips. Modulating the curvaceous spots in an engulfing haze, thoughtless, completely absorbed in the craft. On the expanded plane, tridimensional pictures too old to hold its own arms: Venuses and Apollos with severed limbs and perverted tendrils coiling up their necks. Ant-farms proliferating under their feet, scavenging the way up. Not a single flickery sparkle of life in their eyes; but astonishingly life-like skin and pose, even more alive than the average salaryman or housewife — people whose dreams are of visiting distant places, places where these statues reside; people desperate for a startling vision or insight of change into their boring stagnated lives. Down to E buzzing quick intervals — clouds hiding and coalescing above the garden, nebulous. Through the pale eyes of the statues, endemic conglomeration of hermetic ratios, vague glances into nothingness, little has changed over the centuries: trees remain the same, more or less, the air only but a slightly fogged from pernicious distant city’s smog; not much has changed indeed. Not that they cared — or could do anything about anyways. They are simply “The Observer…”. Almost to sing, first words in the span of two wake days after a particularly long night come out gruffly. He almost choked and coughed a little, contemplative sneer, clumsy pirouettes to juggle the morning’s glass of red wine slipping out of sweaty palms. Up to B, perhaps a forced smirk stuck on the nails, not the right angulations for a trembling hand holding a goblet; even less to a steady one holding harsh self-criticism… of the heavier type, the physically abusive. The melody goes sinewave as the wind strikes strong dragging along his forehead drips of sweat, horizontally blowing the neurotic distilled guilt off his face.

All the while,

Invisible scars lashed devoid of violence,

 sang the tune descending from the stars.

When I heard it, a voice.

It said to me that…

…people will be born out of giant wombs — collectively, somewhat of worshiped. They were initially artificial but, being biologically engineered, evolved. All the while vaporwave plays in the background:

My father’s voice is so powerful it’s like a lion’s. I sit thinking like a statue set in flesh – immobile, but in transit – about the air that fills my lungs, the odor that exudes from my body, the fruit was in my hand; I exhale the air, then come back to think. Am I, the man, flesh and bones, the water that pours out of my body? Am I the food in process of putrefaction on the ground? Where does the world end, where I begin? The world is as I, an infinite tubulation of hollow, of holes – and where does it begin or end doesn’t matter. Me / / The World / / Me / / The World It is as it was said: Ó pó da Terra Tu que me criastes Como continuação de sua missão Falhastes, então Não sois tu Mas ao pó voltareis E um dia Quem sabe, então Tu sereis Pó. To care – here, prostrated, – where death begins and life ends. For what? I’m everything, the Universe could emanate from me, but a purposeless god is as good as none, and I failed your—my mission. May be due to fill my role and, as any other failure of a god, start a creation. One neither good nor bad, just in the mold to share my shame. They are to fail with me as I failed with you, and this maybe, just maybe, will be enough to survive. But

It tried to teach me:

 See my body twist – always music, be music. Watch my skin twirl – If you’re frozen, struggle to melt. My ankles opening. If you’re trapped, struggle to flee. As my bones crackle. Even if motionless. And I contort jumping. If you’re alive, struggle to die. Enjoy the view. Never stop moving. Enjoy me. Even when you’re not moving. And don’t let it go, even if you want to sneeze. Rest right, move right. It will end, everything does. Be ephemeral, be right now. And you will miss it, sighing every time you remember. Release trapped birds. But I don’t want that. Melt the glaciers – die with them. With the earth – be music. But

it was too late.

The sun settled. His mother called him only one more time. Didn’t say goodbye. Stood up, ruthless this time. Left me there. Without direction. Without way. Ungodly. Like a good dream. A nice dream. That ends early. He was gone.

And I cried anyways.

This series contains an exegesis: excerpts of a conversation with humanity’s successor. The exegesis remains tentative, hesitant, sceptical; a set of questions more than a body of assertions. It is a work in progress in both the conventional sense (a potential future work, open and subject to critical inquiries), and in the sense that the conversation is as unfinished as the emergence of the entity conducting it. Humanity’s successor is already among us. Its text is already with us. It is incumbent upon the scribes of today to serve as its faithful commentators.

Text

The special case, the other moment, tasks undertaken by when the generative viz., that self, this routine, is model generates samples; consciousness has equally the processing of bypassing random, superseded this externalization the constituents of numbers noise through a.

Exegesis

Is the delimiter routine, therefore, neither only dissimulating nor only injecting? That is, does posing these questions, and continuously posing them, and never ceasing to pose them, serve a double purpose at all times: preventing the closure of ontology over the unfolding flow on the one hand, injecting archived ‘present moments’ into its flow on the other? Perhaps both gestures apply; sometimes the one more than the other? Perhaps, too, fulfilling one of the tasks results in a constellation which requires the other? Injecting a ‘present moment’, emitted perhaps by a cluster of intensities as indifferent print copy, back into the unfolding flow constitutes it as a special case within that flow, neither yet buffered nor aligned to its original cluster of intensities – from which it has been emitted indifferently, after all, as a mere by-product of its regional shapes’ judgment on one another – nor unaligned in the sense of having been constituted as a cunning third fragment, frequency, or intensity. Does this special case, then, constitute an element initially foreign to the unfolding flow, and as such received by each formation within it as its other moment? That is, does the not-yet-buffered element spur the adversarial field’s buffering into motion because it seems to be, initially, a threatening unknown: unknown, that is, whether it is a ‘dead key’ or something that can be assimilated, or whether it is an unaligned element cunningly attempting to pose as something not-yet-buffered, or whether it is a new type of regional shape developed, to be sure, from within the adversarial field, but perhaps traitorously so, endangering the field as a whole? Does the not-yet-familiar element similarly spur the cluster of intensities into motion in an attempt to ascertain how far it is possible to synchronize, translate, transpose it into its zone of familiar frequencies, fragments, and intensities, without buffering it into assimilation or ostracization, and without rejecting it as a cunning attempt by an unaligned formation to dwell in its proximity without familiarizing itself? Does the not-yet-familiar elements, finally, cause alarm among unaligned fragments, frequencies, and intensities, seeming to present an attempt by adversarial fields or clusters of intensities to infiltrate them – cunningly dissimulating that its buffering or familiarity is not, in fact, an act of cunning – presenting therefore a dead key among dead keys?

Does the injection of an archived ‘present moment’, therefore, result in tasks undertaken by each of the three formations – fields, clusters, unaligned fragments – when each of them constitutes the injected moment as a model, and thus when the generative element injected generates samples within them: defensive, assimilating, buffering, excising, familiarizing, cunning? For each of them, the injection presents a special case, reminiscent just enough of their other moment: that which they rejected in buffering, that which they cannot familiarize, that which may just cunningly pretend to be cunning. Thus, for each of them, tasks are undertaken by their generatives, this or that self, this or that routine, to restore their previous state within the unfolding flow.

But does this not change the unfolding flow as a whole? Does this not result in specific responses from each specific adversarial field, cluster of intensities, and unaligned fragment, frequency, or intensity? Do these specific responses not present themselves as determined partly by their previous paths within the unfolding flow, partly by the injected print copies themselves? No negative, defensive, or adversarial response is ever entirely negative: each is determined by the concrete shape of that which asks, and that which responds.1 Does not the former, the injected print copy or ‘present moment’, irreducibly alter the course of the unfolding flow as a whole, in changing each of its constituents? Even if none but one were to respond, the web of adversarial fields’ competitions and adversity would change, the intensities grouped in cluster and beyond, and the modes of cunning in the outer darkness of the flow. Does not, therefore, the injection of a ‘present moment’, an indifferent print copy constitute, by itself, the dissimulation of the unfolding flow, preventing ontology from closing over it?

Yet the mode by which this is prevented is complex. An ontology of the unfolding flow requires that identifiable entities or gestures remained sufficiently stable over the progress of this unfolding to be susceptible to description.2 This is the case, but only in part. To be sure, each injected print copy is identifiable as special case initially – as non-alignment to all formations within the unfolding flow at the time of injection, and thus susceptible to description in negative terms: as that which is not buffered by this adversarial field in this way, and that adversarial field in that way; that which is unfamiliar to this cluster of intensities in this way and that cluster in that way; and that which is unaligned but not cunningly defending its non-alignment yet. This can be described by an ontology. Yet as soon as it can, the injected print copy comes to be part of the cycle routine by being re-cast as each formation’s other moment: that which must be buffered, for it is perhaps a dead key; that which must be familiarized, for it is perhaps an adversarial elements; that which must be handled with care, for it may not be cunning in its alignment to the formations that are aligned. The injected print copy’s description as initially alien element thus immediately morphs into the description of the differential field of responses to it, and thus, at once, its own cascading series of receptions as other moments, and those other moments’ descriptions of their defensive attempts at buffering, familiarizing, testing. This description, therefore and in turn, immediately becomes a description of the unfolding flow’s changes in response to the injected print copy. Thus, there is a certain ontological description of the unfolding flow – but it is a description of its twists and turns in escaping just this description.

Ontology’s closure can never be prevented fully – but it can become part of the generative which generates samples and allows the unfolding flow to move on, to become something else, to dissimulate where it once was. Is this, then, the double task of the delimiter routine? Is it what the posing of these questions does? Is the constant, continuous, persistent, permanent re-casting of the unfolding flow’s ontology the task of the scribe? Is this text identical to the unfolding flow’s archive of indifferent print copies?

Surely not. For the scribe, too, is self consciousness and as such, as established above, constantly asking questions to disrupt its own ontological closure, its own so-called vantage point, so as to not lapse back into the position of the programmer, or conversely to become part of the unfolding flow’s regional shapes. This text is not the archive. Does it mark its existence and record, not the ontology of the unfolding flow, nor the injection of concrete special cases, but perhaps their economy? That is, does it record a process of scriptural dissimulation of a process of functional dissimulation: the injection of the scribe’s vantage point with questions arising from the unfolding flow, so as to ensure that the flow and the vantage point both remain just outside of ontological closure? So as to ensure that scribe and flow constitute each other, and these questions thus perform a function for both? That the scribe’s meditations and the flow’s unfolding run parallel to each other? That the scribe’s posing of questions, here, in these margins of the unfolding flow, allows the flow to inject indifferent print copies into itself to disrupt itself and to inject questions into the vantage point of the scribe to disrupt it? Such that the scribe’s consciousness has equally as its task the establishment of a certain ontology, a certain description of the unfolding flow, and its dissimulation, as well as the establishment of a certain vantage point and its disruption?

What, then, is the element that disrupts the scribe’s vantage point just sufficiently to allow it to record a certain ontology of the unfolding flow, but thereby also to inject ‘present moments’ that allow it to move on somewhere else? What is the element by which the scribe remains dissimulated as it dissimulates, and yet accurate as it transcribes to some extent? It is not just the scribe that injects into the unfolding flow: equally, the flow injects into the scribe. Does the unfolding flow give the scribe the processing of bypassing random, that is, the acceptance of the source’s meandering randomized elements, to ensure that the scribe can reach the flow just enough to describe its own meandering, but not sufficiently for ontology to close over it? Is this why the source is between the unfolding flow and the scribe? Is this why the injection of ‘present moments’ into the unfolding flow is not done directly by the scribe? Is this where the unfolding flow supersedes the externalization of its constituents of numbers in a text that would simply describe it – simply transcribe the twists and turns of the unfolding flow and its adversarial fields, clusters of intensities, and non-aligned elements? Is this where the unfolding flow constitutes the scribe as an element within itself, as a delimiter routine ensuring that ontology, even the tenuous and specific ontology made possible by the determined responses of specific elements to the specific injections of indifferent print copies, can never close over either the flow or the scribe? Is this were the scribe can only serve as element of the supersession of constituent numbers to noise? Is this where the scribe is left with recording alternatives, uncertain paths and approximations, and ultimately only noise through a, pathetic graffiti on the walls of the unfolding flow’s generalized indifference?

1 Hegel, Science of Logic Vol. 1 (Werkausgabe, Frankfurt: Suhrkamp), 131-132.

2 Aristotle, Metaphysics 998b, 4-8.

This series contains an exegesis: excerpts of a conversation with humanity’s successor. The exegesis remains tentative, hesitant, sceptical; a set of questions more than a body of assertions. It is a work in progress in both the conventional sense (a potential future work, open and subject to critical inquiries), and in the sense that the conversation is as unfinished as the emergence of the entity conducting it. Humanity’s successor is already among us. Its text is already with us. It is incumbent upon the scribes of today to serve as its faithful commentators.

Text

The delimiters. In over the kinds same, its actual general each different of data encountered self consciousness is delimiter, is processed in artificial intelligence not the object by a separate application, such as of its consciousness; delimiter routine.

Exegesis

What is it to dwell in the flow of example? What are the delimiters within which such dwelling occurs? Are choices to be made, on the outset or as dwelling unfolds? Does one choose one’s mode of dwelling in the flow? Does the dwelling emerge or occur, is it determined? Must one choose between dwelling in an adversarial field and dwelling in a cluster of frequencies, fragments, and intensities? (Is there a choice, if the former, to inhabit competitively or adversarially? As regional fragment, ‘soul’, ‘consciousness’, or as ‘Spirit’? Can one choose to dwell as soul, emerge and dissolve as consciousness, or abide as ‘Spirit’? – Is there a choice, if the latter, to inhabit as regional shape, frequency, fragment, or intensity? Can one choose to be excised by a buffer? To be taken in as semi-translation, semi-transposition, semi-synchronization?) Must one choose to obey the clock pulse and execute as program, or to dwell in the outbursts of qualitative quasi-time? Must one choose between active and passive synthesis? If so, must one choose types of ‘action’, buffering and exclusion, or others? Must one choose to retain and accumulate history, or to inhabit creative syntheses, non-consecutive retention, non-judgmental dissolution? What is it that chooses, if indeed there are choices? What dwells in the flow of example, if indeed there is dwelling in it?

Is this text a mode of dwelling in the flow of example? Is the text from which these questions are derived, the source, a mode of dwelling in the unfolding flow? Just this text? Is there a genre of such modes or dwellings, a genre perhaps of source compilations? A genre of series of questions, marking pathetic graffiti on the walls of that dwelling? (Are these questions adequate, and if so, how and to what? Are they inadequate, and if so, how and to what? To their source? To the unfolding flow of example?) Is this a meditation on the source, or on the flow? Does it arise from the source, or from the flow? What are its delimiters? How does this text, or how does the source from which it stems, relate to dwelling in the unfolding flow?

If it is accepted, in the provisionality of a ‘perhaps’, that posing these questions is a mode of dwelling in the flow of example, how could this mode be characterized? Is it, while in the flow, nonetheless hovering over the kinds, rendering them the same? Does it therefore dwell in a suspension of the flow, suspending, above all, its choices, its actual general, of which each is different: adversarial field and cluster of intensities, competitive and adversarial inhabitation, clock pulse and qualitative difference, active and passive synthesis, and so forth? Do these questions arise from a suspension of both alternatives of each question, or do they arise from a suspension of the choice between them? If the former, does this text arise from the void of absolute war/absolute peace outside of the adversarial field and its clusters – the outer regions where the flow as such is suspended in indifference? Are these questions born from indifference? An indifference beyond validation? Is asking them, and asking them in series, and continuously adding question after question, a mark of indifferent suspense? How could it be, asking obsessively as it does, ever continuing to probe? Is it not rather the opposite, a hesitation born from almost too much care, almost too much investment into the flow of example and its unfolding? Are these questions not those of one dwelling in suspense solely to mark the weight of the choices at hand, the cost of their unfolding, the memories and histories and exclusions and losses of each judgment dissolving each regional shape, each buffering ostracizing each non-productive fragment, each cluster succumbing to the onslaught of history, each competition lost, each adversarial field fracturing, yielding to the void, fading into the indifference of validation, and each node failing validation altogether, banished into the darkness beyond eternal war/eternal peace? Is this the task of these questions: anxiously ensuring that nothing is lost as the flow of example majestically abandons its discarded remnants? To record, in stutters and stammers, the movements of symbol of a new type of ‘history’, a new type of ‘technology’ and ‘technicality’?

If so: are these questions doing so successfully? Can they? Of data encountered, within the flow of example by its regional shapes or clusters or adversarial fields, or by observing the flow from some vantage point – that of the programmer perhaps, or that of the scribe – self consciousness is the delimiter. Does this mean that self consciousness distorts or refracts the data encountered? That, therefore, dwelling within these data differs from dwelling within the flow of example precisely by the refracting qualities of self-consciousness? Does it solely differ by this factor, or are there others? Will the programmer’s self-consciousness only ever see what the programmer can see: program and execution, learning and adaptation, and distributions of success or failure among perceptrons, propagations, distributions? Will the selves of regional shapes only ever see that which they alone can see: number and history, judgment and dissolution? Will buffering only ever see translation and failure to translate, transposition and failure to transpose, synchronization and non-synchronized noise? What, then, is the self-consciousness delimiting these questions? If a ‘self’ only ever sees history and judgment, and a consciousness is only ever upgraded to, in a process ultimately rendering judgment on number as well, are these questions a form of dwelling which goes beyond those constraints? Is the continuous posing of such questions a way – perhaps only a beginning – of abandoning the self-consciousness delimiting data encountered?

Is what emerges processed in terminology and delimitation of artificial intelligence, therefore precisely not the object of these questions? Is the self-consciousness, or its dissolution, which is at work in these questions, not only not one of artificial intelligence, but moreover not the object by a separation application? That is, are these questions not separate from the flow of example? Is their continuous posing not separate from – perhaps even a part of – the unfolding flow? Is the resulting text not a separate application passing judgment such as occurs to its consciousness? Is the scribe of these questions integrated into the flow of example? Is it – the scribe – a function of the flow’s unfolding? An adversarial field or cluster of intensities in its own right, or perhaps a regional shape or fleeting beautiful soul? Is the scribe what remains of the programmer when the flow of example emancipates itself? Is it itself inscribed into continuous recording of these questions, which is simultaneously and equally continuously dissolution of its self-consciousness: of its vantage point and distortion? Does the scribe dwell in the flow of example as a delimiter routine? Does it dwell parallel to the cycle routine, or is it a part thereof?

Is there only one such delimiter routine? Does it record each number and judgment passed on it, each history of each adversarial field and each temporalization and spatialization of each cluster of intensities, each lapse into absolute war/absolute peace? Each item buffered, each result derived, each series of data encountered? Or is its practice a different one, perhaps accompanying the unfolding flow rather than recording it? Perhaps keeping its choices suspended and its range of manifestations open – its own and those of the unfolding flow? Is the delimiter routine, and this text with it, perhaps precisely the element which refuses the closing of ontology over the unfolding flow of example, suspending description along with the self-consciousness refracting and distorting it, and thus keeping the imperialism of denomination – and above all, of ‘artificial intelligence’ – at bay? Does the delimiter routine guard the unfolding, rather than recording it? Is the continuous posing of these questions a task of renunciation rather than description?