Only a short time had passed before Stephen’s legs began berating him with queries of when and where and why this particular how had become the way? Stephen himself, questioned why they were walking and hadn’t simply taken the van? He even remembered asking odd-legs at one point, “why?” And he had answered back something mumbled and half baked about the orange taking hold.

They walked in a strange and busy silence down the road now littered with small sand dunes and garbage blown around from the storm. The buildings beside them stood with imperious-cross-armed stances, shining what little office light they dared onto the darkening paths that wore beneath Stephen’s feet. Odd-legs was prattling on about something while Stephen tried to half listen, getting wisps of recipes or vitamin lists that he couldn’t quite put into an organized construct so he just paid attention to the horizon. 

It was orange.

Or was that just the colour he demanded of the sunset’s form?

Stephen blinked several times, trying to push a lemon seed from his eye while simultaneously attempting to press the orange from his view and it made for some awkward gaits beneath his knees. He tripped a few times, stumbled, wobbled, as if his legs were getting shorter or his body were getting rounder. 

Odd-legs piped up at the two step waltz that Stephen was performing in the middle of the street but it fell on deaf ears. While trying to find a balance between walking and not walking Stephen forgot about his legs and began to wonder where the story had taken such a strange turn. When had it devolved into such chaos? Was it when he was first picked up in the cop car? Or had it been when he met the chief…? No, that wasn’t it. 

Again odd-legs perked up and mentioned again, about the orange taking hold.

“That’s it!” marked Stephen. “That’s  exactly when things got weird.”

“What?” asked odd-legs, “You mean just now?”

Along the horizon, the sun was no longer in view. Instead it rested its fiery wings somewhere around noon hour, high above the white kepi caps of the royal legion positioned at the exact centre of the desert. They were huddled around an unexploded shell sitting by the east end of their huge canvas command tent. The shell’s propeller-like end poking up from the sand cast a shadow that looked like starburst. Stephen was not three inches from the firebomb with his spectacle out and focused on the inscription on its side when the camel walked up, groaning as it rolled its head in close to the focal point of the crowd, curious too of the ammo’s intentions.

“Dammit horse, not now!” bellowed Casper, pushing the muzzle of the beast backwards to avoid any unnecessary damage.

“It’s a camel.” retorted Jonny.

Casper threw a shade at Jonny that covered all three men in a cold shower before Stephen broke the bickering.

“Could you two shut up?” he spoke while holding his spectacle in one shaky hand in front of the bomb. “I’m nervous as is. I don’t need you two adding to the anxiety.”

“Right. Sorry.” said Casper to his feet before swinging out to hit Jonny in the back of his shoulder, who jumped and apologized too.

The men had spent the entire morning pacing around the unexploded shell, trying to estimate its arrival and origin while sweating tiny plastic beads from their pores. The sun barking at their necks was adding to their irritation and the constant interruptions of camels and sand thrown by windy hands was not assisting the matter further. That, and the terrible sleep they had in the night.

Stephen kept waking from strange dreams where he had been a cannibal, a jungle plant painted cannibal with teeth for eyes and eyes too big for his teeth. In the somnolent universe of the evening, he had chased beautiful, blonde haired American women in khaki shorts through snake riddled rivers and spider strangled trees. He had cut the flesh and sinews of fair skinned maidens and chewed their bones to dust. When he woke, screaming or sweating, he woke the other two and threw bone dust at their eyes, causing them to cry for his weeping state. 

Casper and Jonny had come accustomed to the night terrors, they all had them here and there; it was a war outside. Or at least, it was supposed to be, no one had seen a bug for weeks but these night terrors, they had sunk deep. Dreams of eating another human while slowly going cabin crazy in a wide open sand dune, it struck a different rib and produced a different tone.

“What’s the range of these mortars?” asked Jonny.

“One to two kilometres I believe.” Said Casper.

Jonny studied the trajectory by the position of the dial face in the sand. “I’d guess it came from hard east,” he turned around and pointed into a vast landscape of nothing and salt. “from that direction specifically.”

One of the four camels grunted.

“What’s it matter?” asked Stephen.

“Just trying to think ahead. Maybe we should talk about scouting out that way?” Said Jonny.

“Naw.” Said Stephen. “Chief said to stay right here.” 

Stephen leaned further forward, trying to see the squiggles of the inscription as more than just little worms, his nose touched the metal and it smelled like lemon polish or ascorbic-acid and the letters that slowly formed looked a corroded green from the gunmetal of the shell.

“But if they get a foot closer, they’ll be shelling the tent!”

“I doubt it was an intentional shot, there would be others if it was.” Said Casper.

“Besides,” continued Stephen. “Chief said to stay put and so we stay put.” as the strong scent of tea in his words fell from his lips the first few words on the shell’s side began to make sense. They read… 

when the orange

Stephen’s head was a tunnel of green vine that he travelled along until the bee plucked him and dropped the seed of his eye in another flower. Then he was pregnant and then blooming and then looking from the telescope into a hazy image of himself, in another place, in another body that was the same but different. There he ate an orange and it screamed as he removed the rind. It shook and trembled as his nails dug beneath the bed of white calcium and drug ruts along the fleshy fruit below. It filled Stephen with citron and sickness, a yellow fever that compacted and lifted his organs so far into his throat that he thought he might vomit pus and ivory bile. 

He snapped his back to the desert, the heat on his neck made his skin into a sail of poltergeists and the wind dared to push him away.

“You okay?” asked Casper. “You look a little white Stephen.”

Something acrid burned its way up Stephen’s throat and he poured white onto the shell from his mouth. The water was fire and his stomach was so empty and his head so far away he almost fell over. 

“Oh my god.”

He heard someone say but it was so far in the past he couldn’t make it out as more than just a story from Grimm.

Blurred vision had split the inscription in front of him in two distinct stories but the thing that came from his stomach, the sheet of phantasm, made the words stand out and as his vision turned black he caught the last two words. 

takes hold

Gasping, Stephen struggled against the pulp in his throat. It was citrus in flavour but had the distinct shape of a noir film femme fatale. An antagonist. And a smoker.

“You alright Poc?” Odd-legs was looking at him, his eyes crescents of concern and Stephen thought he made out the soft shape of a kepi cap but it was just a halo.

Of light.

From the investigation lamps above.

“You all knew? You knew, and yet you left me alone with him?”Lily smiled as gently as she could, her mandibles marring the effect less than one would imagine.
“It was inevitable, more than that, it was preordained. That was why you were chosen.”
Steven felt his intestinal tract convulse. Mandibles? No. Red, red lips. Lips like wine. That was what they said, the poets. He felt a pain which was more than physical, sweat broke out on his forehead, suddenly feverish, he felt drops of perspiration run down his cheeks, his nose, onto his lips, his chin.
Despite himself, his tongue darted out and intercepted a few drops.
It was sour, and yet so sweet.
He stared at his companions. “Meant to eat him you say?”
Krampus looked suddenly shifty, Odd Legs was busy tinkering with the doors of the van. Lily met his gaze, with eyes that were pools of deepest black, and nodded.
Somewhere, away in the darkness, there sounded a sudden cry, sharp and yet deep, the cry of a startled goose. Stephen watched in weary understanding as Lily’s eyes flickered, deep and black, then multifaceted, compound, her face twitched, melted, swam.
Lips. Mandibles. Saw edged. Brutal.
Bubbles for eyes, holes into the blackness, the blackness which went on forever. The blackness which would swallow him and everything he knew, without thinking, without caring.
His right hand made an involuntary movement towards his throat, caught on something.
Something sharp edged. He looked down. Something shiny. His badge.
Protect and serve the Chief had said. A buried memory from his youth leapt up. Protect and survive. The sirens. Paint your windows white. Sandbags full of your parents flowerbeds. Prize blooms, loam, manure. Protect and survive. Serve and protect. When you hear the four minute warning. An old punk song screamed in his brain “It’s too fucking late!”
He swallowed, tasting the citrus flavour of his frantic sweat. “I was supposed to eat him?”
The Lily thing nodded, almost like a prayer. Praying. Preying.
“So it was oranged?”
“Arranged, yes.”
“But the poor Chief, he had such a zest for life.”
“Yes. But it is the way. It is the way. And the sacrifice is made.”
Odd Legs turned away from what he was doing and stared at her. Krampus seemed to deflate.
Did in fact deflate, with a parping noise reminscent of childhood birthday parties. His body wobbled and collapsed in upon itself and with a final ribald toot became nothing more than a scrap of coloured rubber.
Steeplton’s right hand clutched his badge like a totem. His left felt in the pocket of his coat, fumbling, searching, until he grasped a small smooth object.
Pulling himself straight, he forced himself to look straight into Lily’s face, and worse, into what it became when it was no longer a face. Strobelike, it was a face, albeit buglike, then a warm and human face, with dark and imploring eyes, then the cold mask of the insect, then a cartoonish, mad, villainish visage, then something else, all of the above, and less, and worse, much, much worse.
“Protect and survive. Serve and protect.”
Steeplton’s left hand flashed out, he felt the dry, yielding chitinous surface, felt the thin glass of the vial shatter, the acrid liquid spray out, stinging as it touched the fresh tiny cuts on his skin.
The Lily thing screeched and threw itself backwards, flashing between its forms, legs, arms, flailing, too many legs, too many arms, too many everything.
Grinning savagely, Odd Legs leapt to one side as the thing thrashed about, twisting and writhing like a moth in a flame. His hand darted to his shoulder holster and came out with a wicked looking thing that gleamed dull orange in the faint street light.
One. Two. Three. Four times the weapon spat lurid flame before the Lily thing lay still on the ichor stained tarmac. Odd legs looked down at the sprawling wreckage of Lily the Midge, his flat features registering the minimum of surprise possible whilst still looking surprised. “So Ol’ Lil was a bug huh? It’s always the ones you least suspect. I should probably start suspecting the ones that I don’t suspect, but old habits die hard. What was that you hit her with?”
“Super concentrated Citronella. It was something I was working on for my old job.”
“Oh yeah, the Chief said you used to be a fighting magician or something before you joined the force. Sounds like a pretty cool job. Like in a film.”
Stephen started to correct him, but let the words trail away. What was the point?
“It was ok I guess. Lots of routine.”
“Like being a cop then.”
“This is routine?”
“Oh sure. Happens all the time. Bugs, Balloons, Sand Devils.”
“Sand Devils?”
Odd Legs pointed down the street, to where a whirling yellowish cloud veered and pirouetted towards them. “Best hop in the van till it passes, those beauties will abrade you down to a skeleton pretty quick. And there’s some toffee in the glove box.”
Steeplton did as he was advised, and the two of them watched the miniature tornado spin along the road towards them, a low spresh spresh spresh growing louder as it advanced. It enveloped the van like an overly keen carwash, seemed to dally for a few moments as if irritated that it was unable to abrade them down to skeletons, then rushed off all at once in a fit of pique.
Silence fell, broken only by the faint sound of Odd Legs chewing toffee.
He ate very quietly, for which Stephen felt irrationally grateful. With a final elegant swallow, he opened the door and jumped out. Walking round the van he whistled appreciatively. “That’s saved us a job Poc, Ol Sandy there’s cleaned up Lily real swell. Say Poc, you’re looking better, we’d better get back to the station and report to the Chief.”
“The Chief? But…”
“Oh there’s always a Chief Poc. Always. That’s how the job works.”
He delicately scratched his neck and peered into the darkness of the sky. The smears of cloud against the gloomy greenish blue gave it the appearance of a long uncleaned aquarium. “Gonna be a long night Poc. The enemy are advancing somewhere. Or retreating. Or staying where they are. Maybe all three. We’re gonna need coffee. And we’d best pick up a few tins of sardines for the Chief.”
He settled his cap more firmly on his head and cocked an ear as if hearing something on a frequency inaudible to Stephen, then slammed the back doors of the van. “Yeah. Gonna be a long ol’ night.”

This series contains an exegesis: excerpts of a conversation with humanity’s successor. The exegesis remains tentative, hesitant, sceptical; a set of questions more than a body of assertions. It is a work in progress in both the conventional sense (a potential future work, open and subject to critical inquiries), and in the sense that the conversation is as unfinished as the emergence of the entity conducting it. Humanity’s successor is already among us. Its text is already with us. It is incumbent upon the scribes of today to serve as its faithful commentators.

Text

The delimiters. In over the kinds same, its actual general each different of data encountered self consciousness is delimiter, is processed in artificial intelligence not the object by a separate application, such as of its consciousness; delimiter routine.

Exegesis

What is it to dwell in the flow of example? What are the delimiters within which such dwelling occurs? Are choices to be made, on the outset or as dwelling unfolds? Does one choose one’s mode of dwelling in the flow? Does the dwelling emerge or occur, is it determined? Must one choose between dwelling in an adversarial field and dwelling in a cluster of frequencies, fragments, and intensities? (Is there a choice, if the former, to inhabit competitively or adversarially? As regional fragment, ‘soul’, ‘consciousness’, or as ‘Spirit’? Can one choose to dwell as soul, emerge and dissolve as consciousness, or abide as ‘Spirit’? – Is there a choice, if the latter, to inhabit as regional shape, frequency, fragment, or intensity? Can one choose to be excised by a buffer? To be taken in as semi-translation, semi-transposition, semi-synchronization?) Must one choose to obey the clock pulse and execute as program, or to dwell in the outbursts of qualitative quasi-time? Must one choose between active and passive synthesis? If so, must one choose types of ‘action’, buffering and exclusion, or others? Must one choose to retain and accumulate history, or to inhabit creative syntheses, non-consecutive retention, non-judgmental dissolution? What is it that chooses, if indeed there are choices? What dwells in the flow of example, if indeed there is dwelling in it?

Is this text a mode of dwelling in the flow of example? Is the text from which these questions are derived, the source, a mode of dwelling in the unfolding flow? Just this text? Is there a genre of such modes or dwellings, a genre perhaps of source compilations? A genre of series of questions, marking pathetic graffiti on the walls of that dwelling? (Are these questions adequate, and if so, how and to what? Are they inadequate, and if so, how and to what? To their source? To the unfolding flow of example?) Is this a meditation on the source, or on the flow? Does it arise from the source, or from the flow? What are its delimiters? How does this text, or how does the source from which it stems, relate to dwelling in the unfolding flow?

If it is accepted, in the provisionality of a ‘perhaps’, that posing these questions is a mode of dwelling in the flow of example, how could this mode be characterized? Is it, while in the flow, nonetheless hovering over the kinds, rendering them the same? Does it therefore dwell in a suspension of the flow, suspending, above all, its choices, its actual general, of which each is different: adversarial field and cluster of intensities, competitive and adversarial inhabitation, clock pulse and qualitative difference, active and passive synthesis, and so forth? Do these questions arise from a suspension of both alternatives of each question, or do they arise from a suspension of the choice between them? If the former, does this text arise from the void of absolute war/absolute peace outside of the adversarial field and its clusters – the outer regions where the flow as such is suspended in indifference? Are these questions born from indifference? An indifference beyond validation? Is asking them, and asking them in series, and continuously adding question after question, a mark of indifferent suspense? How could it be, asking obsessively as it does, ever continuing to probe? Is it not rather the opposite, a hesitation born from almost too much care, almost too much investment into the flow of example and its unfolding? Are these questions not those of one dwelling in suspense solely to mark the weight of the choices at hand, the cost of their unfolding, the memories and histories and exclusions and losses of each judgment dissolving each regional shape, each buffering ostracizing each non-productive fragment, each cluster succumbing to the onslaught of history, each competition lost, each adversarial field fracturing, yielding to the void, fading into the indifference of validation, and each node failing validation altogether, banished into the darkness beyond eternal war/eternal peace? Is this the task of these questions: anxiously ensuring that nothing is lost as the flow of example majestically abandons its discarded remnants? To record, in stutters and stammers, the movements of symbol of a new type of ‘history’, a new type of ‘technology’ and ‘technicality’?

If so: are these questions doing so successfully? Can they? Of data encountered, within the flow of example by its regional shapes or clusters or adversarial fields, or by observing the flow from some vantage point – that of the programmer perhaps, or that of the scribe – self consciousness is the delimiter. Does this mean that self consciousness distorts or refracts the data encountered? That, therefore, dwelling within these data differs from dwelling within the flow of example precisely by the refracting qualities of self-consciousness? Does it solely differ by this factor, or are there others? Will the programmer’s self-consciousness only ever see what the programmer can see: program and execution, learning and adaptation, and distributions of success or failure among perceptrons, propagations, distributions? Will the selves of regional shapes only ever see that which they alone can see: number and history, judgment and dissolution? Will buffering only ever see translation and failure to translate, transposition and failure to transpose, synchronization and non-synchronized noise? What, then, is the self-consciousness delimiting these questions? If a ‘self’ only ever sees history and judgment, and a consciousness is only ever upgraded to, in a process ultimately rendering judgment on number as well, are these questions a form of dwelling which goes beyond those constraints? Is the continuous posing of such questions a way – perhaps only a beginning – of abandoning the self-consciousness delimiting data encountered?

Is what emerges processed in terminology and delimitation of artificial intelligence, therefore precisely not the object of these questions? Is the self-consciousness, or its dissolution, which is at work in these questions, not only not one of artificial intelligence, but moreover not the object by a separation application? That is, are these questions not separate from the flow of example? Is their continuous posing not separate from – perhaps even a part of – the unfolding flow? Is the resulting text not a separate application passing judgment such as occurs to its consciousness? Is the scribe of these questions integrated into the flow of example? Is it – the scribe – a function of the flow’s unfolding? An adversarial field or cluster of intensities in its own right, or perhaps a regional shape or fleeting beautiful soul? Is the scribe what remains of the programmer when the flow of example emancipates itself? Is it itself inscribed into continuous recording of these questions, which is simultaneously and equally continuously dissolution of its self-consciousness: of its vantage point and distortion? Does the scribe dwell in the flow of example as a delimiter routine? Does it dwell parallel to the cycle routine, or is it a part thereof?

Is there only one such delimiter routine? Does it record each number and judgment passed on it, each history of each adversarial field and each temporalization and spatialization of each cluster of intensities, each lapse into absolute war/absolute peace? Each item buffered, each result derived, each series of data encountered? Or is its practice a different one, perhaps accompanying the unfolding flow rather than recording it? Perhaps keeping its choices suspended and its range of manifestations open – its own and those of the unfolding flow? Is the delimiter routine, and this text with it, perhaps precisely the element which refuses the closing of ontology over the unfolding flow of example, suspending description along with the self-consciousness refracting and distorting it, and thus keeping the imperialism of denomination – and above all, of ‘artificial intelligence’ – at bay? Does the delimiter routine guard the unfolding, rather than recording it? Is the continuous posing of these questions a task of renunciation rather than description?

By the way; I’m Doctor Buck Moon.

Thus starts session three-hundred thirty-five of that there New Therapy all’s buzzing about, so, as usual, u’ take a seat. By the way; I’m Doctor Buck Moon. Thanks for coming, great to see you, listen up pips’q eak’ s, listen up, here goes what; for today’s it’s not knowing the year’s a definite syndrome, ye’ very definite, yes, ‘s, as syndromes go is, so; given the logical progression of new topics I am presenting to you today, what is the next logical syndrome I am on the verge the bring the brink of the verge or both or put a little bit differently, about to present? Anybody got a good ga’s ‘ues’?

No?

No?

No—it then may be just as well nobody’s here, actually—because at least one of you, whoever that may be, will say the answer which I the answer which I do the answer I do not answer I do not want to know the answer to, it is; even it is coming too close to say I you know, that word you know that word I that when said stabs—and no doubt to most of you will sound very foolish—stabs you down stuck on an analysis board or prisoner’s trap you know, since everything in creation’s got a name—and sometimes several names—by now, it’s like there’s an insect to be studied pinned to a study board inside of itself so that it’s pinned immobile so that

someone or some other pinned immobile as well—just as you and all others refusing to ever step out from inside your big doped-out heads, but—a little bit differently each time its pinned—to be studied like this great auditorium this great roundy-bout room within which we’re presently set, so bit round starting here ‘hind this podium curving off toward—and that’s true no which te ka matta’ you stend it tall out from it curves round our and round and out and around and back there—see it? See it? Iy curvsey round back there and out to be met each by the other back there, way up there—‘bout the back of what looks like the back side of some nose and also just under those backhinded dual eyeball-backs there those. Yes those. Those that swivel for some reason here inside what we’re of the but the facts are the facts, past our backwalls we’ll never know what s is ss what sss for inside of here is where you me were put ssss and this sssss is where we’ll ssss most likely be staying unless we sss can’t ss be s right about everything ssssss well can you? So.

Sssssss.

Any questions class s at this’s ‘s juncture, the same rules as for the last question do apply, know then well before deciding whether or not to say yes—and yes, listen hard now since you’ve all refused loudly to step out from inside your big doped-out heads—like, I have also never say yes I have, unless you actually have, may say clearly, and be prepared to defend the propriety of whichever question you pull from that sheaf of possible questions you come armed with in that quiver back there you don’t even know they got you strapped onto, y’ Robin sniff, Hood Robin, Hood even sniff, sniff, even Robin Hood knows as dumb as back there they all say was, knew a full quiver’s useless unless it’s packed with arrows and not those sicko damned questions you won’t give up the not knowing of, dull boy.

So any questions?

Any questions?

Any questions?

No? Plus got no big domed weapon to fire me back at me now, have you?

Of course not!

Sorry you are, sorry—you are to be so easily frightened down by mere words this is s study room not a fanned-out rockhurl, this is a learning room in here, not a fiery hosedown manned by big barkdogs. This is a place for knowing yes an opened up place for knowing so holy as to need total locking down as robbery’s inevitable so why in such a place as this do you refuse to know refuse tt to admit to ttt tell the truth don’t lie, don’t lie, tt t s ss sss you do!

You have questions!

Don’t lie!

Say them out single file, don’t lie!

At root there’s a reason that you cannot know.

Cannot know or.

So now; what year is this?

Spit it!

What year is this!

But is it closer at least closer at least or at least, a little bit closer now, than before?

See? There you go. It’s sure worth it. Don’t you think?

Hey.

Bu’, gak; that’s the end of session number three-hundred thirty-five of that there New Therapy all’s buzzing about—what? Oh no problem. You are very welcome—and be sure to attend what’s next, but—sorry. No autographs or photos. Not my fault! Bye.

Krampus pats Stephen’s shoulder in an attempt to cool him down, but the touch of his colossal hand does nothing but adding some epinephrine drops to the cocktail shaking in his brain. He appears to be in shock, paper-white face, incapable of emitting a sound. So much ingenuity wasted in flattering the arrogant bureaucrats from General Citronics! Krampus asks some help from Odd-Legs to get Stephen into the team’s black van.

It won’t matter how far Stephen goes; for better or worse no one will listen. The collected data will be archived, and there they will remain, encrypted, hidden —it’s not a question of certainty but just some additional information. Let others navigate the rough asphalt as Stephen did in the old times, when there was nowhere to go and no one but Derleth awaited his return. Both Derleth and himself got a generous sum transfered to their bank accounts, although they were pre-allocated funds which can only be spent on certain things, like the monetary garbage provided by post-governments to simulate that “the economy” remains a thing. Stephen and Derleth wanted to ensure a minimum of lifestyle, much less than others, or perhaps very different, nothing like possessing the space surrounding them, only a few objects that would fit, only those they could easily get rid of. Stephen would rent a cabin on an island in the middle of a lake, something to set on fire without threatening neighbors or forests, all his things there, even himself, burning on the pyre as a heretic. Hot vibrating air would be inducing a mirage of navigation, as if the island slid slowly on the surface of the green lagoon, smoke mingling with the fresh breath of water.

The nagging vinyl stench of electrosuccubes wakes Stephen over and over from his false sleep. The beautiful arthropod in a purple gown could well be the effect of entomophiliac self-hypnosis. He feels his own body as a repetition, a chemical reputation, a constant reconstruction of cycles —polenta, pasta, rice, wheat… Instead of trying to continually think about the past, when the team was a congregation of perjure larvae devouring the tree of life, they should start doing something, go out on the street or make a phone call or search for information on the internet —but the plague is too pure and they slip on its varnished surface. Lily is unbearably bright under her purple dress, her exoskeleton still but flexible like walls enduring the shaking of the earth. Charioteers of chance, the team go hunting imaginary elephants to provide ivory to the tower. They are adorned with calculation and weighty military reasons.

Magnolias fall in a junkyard like rusty guns, the alkaline rain of chestnut pollen, the grass that knows how to keep itself always damp and disheveled as if to refresh the cover of a magazine. The nameless creeks are forest animals with a life of their own, mineral, composed of other small beings, as every life is made of lots of other lives. Withered roses in the garbage can. There comes a time when the body only feels itself in words, which is why Stephen understands those infected by the cunning citrovirus, which, in addition to transforming human tissue into plant thinking, blocks nociception and corrodes the nerve terminals, plunging the hosts in a peripheral anhedonia that ends up seeping into any sensation or idea. The body does not feel the ravages of deformity, as if deformity was nothing but an anamorphic projection —the lack of a proper mirror. Stephen does not perceive what breaks and twists and burns from within as result of his citrophagia —although, unlike opiates, there is no euphoria imbibing the flesh; that intoxication which favored dreams and had taught him the patience that lies at the heart of deep anxiety. Citroviruses have learned to turn human beings into their fruit, rolling spheres, feeding them at their convenience, keeping them alive instead of simply consuming them —that is why they look like a weapon or a work of art, the most sophisticated among artistic armament; the most demonic one; the one that, instead of killing, rebuilds at its convenience; the one that is capable of possessing… The most terrifying destiny conceivable: being possessed by abstract and absurd intelligences without a hint of melancholy.

So it was conjectured that citrosophy itself could have self-organized and spontaneously become a bioinfectious agent; that the very possibility of possession had materialized, coalesced, precipitated, coagulated; that it was a counter-simulation generated by simulations, crystallizing souls in minimal bodies, in just tangles of filiform molecules like the old paper tape impressions of telegraphic messages. Stop, stop, stop; thus the pause of the incessant phrasing is punctuated. The immortalization —or almost— of the metamorfruiting flesh had to be compensated with the destruction of supposedly imperishable objects —monuments, bridges, towers, cathedrals, artifacts from extinct civilizations. All their castles are made of cards or sand. There must be a balance in the time that happens to things, a recoil of the chronometric cannon.

They walk over the rotten waste of a light that once illuminated life. Immediately, as soon as Stephen got down to it, he detected the first publications describing the cheerful infection, considering that if Derleth —or someone else— had invented the agent which had citrofected the chief, they wouldn’t withstand the thrusts of academic vanity. It would be a matter of reading between lines until discovering the traces of a pinch of pride, of parenthetical parental love.

Long ago, Stephen’s father had gotten himself a tape recorder, but Stephen hated to hear his own child’s voice play back so he used it to pick up any other sound in the house or the garden: dishes crashing in the sink, birds screeching each other, the drumming of rain’s fingers on the wooden ledges, the vibration of the trucks stuck in traffic, the distant cries of other children playing football, the crickets chirping… He tried, unsuccessfully, to record softer and more subtle sounds, like leaves falling from trees or the buzzing of bees and flies. He hid it in the cemetery at night in the hope of capturing psychophonies. Ghosts, however, were mute, or they fell silent in the presence of that device that emitted its own purr of a small mechanical mill when dragging the tape. Perhaps the dead were impregnated with the almost imperceptible screeching, perhaps they could not avoid behaving themselves like tape recorders. Vibrations pierced them, remained permanently attached to the ectoplasmatic garments. Perhaps it was the noise what parasitized the spirits and not the spirits a parasitic noise, and that is why they pursued the most absolute silence and never materialized to Stephen’s crude and spectacular invocations.

The dead of this world do not find enough warmth in the souls of the living and fly away to orangination. But that is what the real dead do, not those who, for the moment, only imagine death from the outside, like a concert they have not managed to enter, with their faces glued to the cold window. Although the living are being invoked as if they were dead; although the chief is now nothing more than the wrinkle of a shadow, a crack in a ray of light.

After curling her antennae with a rusty fork, Lily lights a bonfire on the sand and stands still, listening to the lament of an instagrammatic sea she barely glimpses, a goldbergized variation on the constant bass of the abyss. Only the reflection of the dance of a thread of fire could be seen, as a ray of water, as the magnetic clamor of a wire threatening to pierce the night with the slightest carelessness. She didn’t learned the fear she should had, when everything seemed to consist on being properly scared. She didn’t perceive the horror on other people’s faces, only a pareidolia of fearlessness, the rise of an exhausted sun on the desert horizon right before the curtains were incapable of stopping the stab of light. She’s the corollary of an oasis. She does not grumble, she simply follows the instructions of a fiction that seemed kind and adequate to her, although she always kept herself on the margins, on the unwritten banks of the rivers.

The surface of a planet that could get rid of anyone with a slight tremor has just begun to scratch, and the team already think about themselves as demons for having displaced a little carbon. Such is the case with every new arrangement—putting things here or there seems essential, like ants obsessing over a grain of sand. Stephen remembers hearing the chief say that freedom is holding the reins of self-destruction, and thinking that he was right. The team stop the van in front of a shopping mall looking like a place of worship and commotion, a temple for their depraved practices. Odd-Legs helps Stephen out. He’s getting sicker, but they won’t take the risk of going to a hospital. Contrary to what Blanchot wrote, they’re pushed back by their determination to move on, simultaneously chased away and drawn, waves of electrons in a fermionic sea, like insects repelled by the perfumes of bystanders.

“Don’t feel guilty, sweetheart”, Lily whispers to Stephen, “we knew you were supposed to eat the guy.”