by Charles J. March III
During helter-skeltering-in-sequestered-place, my habitual ritual is to start the day by humbly hitting my knees and peoples’ elbows after rolling out of my Aztec zeitgeist bedrock alter with the weight of the world domination on my shoulders like a sober, disciplined, Celebrate Recovery social manipulated media scrolling/meditating/levitating myopic monk troll and blind eye faith pray with ties that bind us (handcuffs) rebellion bound to happen hands that shake with invisible peace be with you office holding service industry friends and cult wrists that are religiously purified by obscure moonshine sanitizer (until they crack and bleed the blood and human sacrifice antibody of the Washing of the Feet CHAZ commune Christ) in OCD compliance observance of local protocols to the COVID-19 deities for divinitory solidarity and for a new Afrofuturistic (my corona hair will continue to grow until the first cure for the virus of racism happens, or at least until the second coming of the supply chained shorn and slaughtered herd immunity Lamb) heaven & hypocrite oath earth, while I pledge my non-pilgrimage allegiance to the crumbling flag day, light left in the wake candles for our burning down business funeral pyre country, and attend mass graves during this quantum physics, electron-rich inner life election year, because The Black Mamba mattered. It’s kind of like planting eco-friendly LSA-debased morning glory fear seeds (organic, of course).
I then call (I think they blocked my contact with black magic) out to any unemployment officers who will hear me, and tell them to deploy doomsday DoorDash outsider deliverances so they can help me spice up my isolated Beef Lo Mein liminal into something beautiful breakfast routine life made with Mrs. Mother Dash Earth Day sweet & sour doughboy hydroxychloroquine animals who breathed fresh intubation convent air and reclaimed the world during poutine famine quarantine, as I stretch out on my lazy boy because my sunrise yoga class is non-essential to good health.
This process reminds me of when I used to loot for capital prior to calling my heroin dealers, and the subsequent cooking up then shooting up ritual that followed. I guess it helped me to maintain some semblance of daily order, and at almost times, population control, in keeping with humanity’s trend towards tricyclic plagues.
By now I’d be turning Mexican lady-like paranoid meth head cleaning freak tricks for my new formal preternatural roommates who be out at work or with the proselytizing protesters, as a form of whorish reciprocation for them going to the store while I stay-at-home and subsist off their scraps, because I don’t go out anymore. I suppose I took the role of my dog who had to be put to sacrificial death on Easter, while the solemn oracle masquerading carnival world gift exchanged stimulus check eggs ceremoniously impregnated with sanctity sickness. A true betwixt & between dog & pony show song & dance piece of birds of paradise lost law & order cosmic pandemic performance art. A seasonal consecration procession in the obligatory playground where fasting street medics harvest neo/pseudo supposed to be over by summer of light pink festering love flavored welcome to the anti-structure machine SpaceX vaccines.
Someone please give me my last surreal rites already, because the passage of garage doors of perception time has become meaningless.
Charles J. March III is an asexual, neurodivergent Navy hospital corpsman veteran who is currently trying to live an eclectic life with an interesting array of recovering creatures in Orange County, CA. His various works have appeared in or are forthcoming from Evergreen Review, Atlas Obscura, Litro, Chicago Tribune, L.A. Times, Lalitamba, 3:AM Magazine, Ink Sweat & Tears, Fleas on the Dog, Dink Press/Problématique, Queen Mob’s Teahouse, The Recusant, Taco Bell Quarterly, Storm Cellar, Terror House Press, Horror Sleaze Trash, Harbinger Asylum, Madness Muse Press, Maudlin House, Misery Tourism, BlazeVOX, Blood Tree Literature (prize), The Babel Tower Notice Board, Bareknuckle Poet, Anti-Heroin Chic, Synchronized Chaos, The Beatnik Cowboy, Points in Case, Expat Press, Stinkwaves, Young Ravens Literary Review, The Writing Disorder, Literary Orphans, Otoliths, Oddball Magazine, et al. Links to his pieces can be found on LinkedIn and SoundCloud.